"Edge of Death" by Ruth Barrett had its release date on January 27, 2023. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Edge of Death's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Terminal List (Music from the Original Series on Prime Video)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Edge of Death's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Edge of Death by Ruth Barrett having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| D'Artagnan et Constance | Guillaume Roussel | C Major | 2 | 8B | 80 BPM | ||
| Llamadas Contundentes | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| The Key | Isabella Summers | C Major | 2 | 8B | 69 BPM | ||
| For England | Daniel Pemberton | D Minor | 1 | 7A | 78 BPM | ||
| Kullervo's Lament | Lauri Porra, Lahti Symphony Orchestra, Kristian Sallinen | G Major | 4 | 9B | 119 BPM | ||
| Constantine | Thomas Newman | C Minor | 1 | 5A | 172 BPM | ||
| Van Rhijn House | Harry Gregson-Williams, Rupert Gregson-Williams | D Major | 2 | 10B | 75 BPM | ||
| First Day in Court | Atli Örvarsson | C Minor | 1 | 5A | 134 BPM | ||
| Non Changers | Danny Bensi and Saunder Jurriaans | G Major | 0 | 9B | 104 BPM | ||
| Rob's Journey | Federico Jusid | A Minor | 1 | 8A | 64 BPM | ||
| Knightley's Walk | Samuel Sim | G Major | 1 | 9B | 92 BPM | ||
| The Aftermath | Harry Gregson-Williams | F♯ Minor | 4 | 11A | 90 BPM | ||
| Seeing with New Eyes | Sarah Schachner | A♭ Major | 0 | 4B | 65 BPM | ||
| Patience Little Girl | David Hirschfelder | D Minor | 1 | 7A | 131 BPM | ||
| Médecin et les genoux | Stephen Warbeck | C Minor | 0 | 5A | 132 BPM | ||
| Spancill Hill | Edmund Butt | B♭ Major | 2 | 6B | 89 BPM | ||
| The Shores of Scotland | Max Richter | B Minor | 5 | 10A | 143 BPM | ||
| Something The Matter | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 68 BPM | ||
| Ricordi di una vita passata | Andrea Farri | G Major | 4 | 9B | 119 BPM | ||
| Limited Casualties | Thomas Newman | D Minor | 0 | 7A | 120 BPM | ||
| Where Is Our Purpose Now? | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| This Is My Land | Dan Romer | D Minor | 2 | 7A | 92 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Finding The Cigar | Hannes De Maeyer, Ruben de Gheselle | C Minor | 1 | 5A | 120 BPM | ||
| Maybe You Killed Her | Víctor Reyes | E Minor | 1 | 9A | 115 BPM |