"Dans Mes Reves (Carmen Interlude)" by OperaBabes had its release date on March 27, 2006. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Dans Mes Reves (Carmen Interlude)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Renaissance". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Dans Mes Reves (Carmen Interlude) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dans Mes Reves (Carmen Interlude) by OperaBabes having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Plaisir D'Amour | Filippa Giordano | F Major | 3 | 7B | 75 BPM | ||
| A Time for Us: Love Theme | Tayla Alexander | A Minor | 1 | 8A | 65 BPM | ||
| Be Still My Soul | IZZY | E♭ Major | 2 | 5B | 79 BPM | ||
| Élégie | Dilyana Georgieva, Galina Apostolova | E Minor | 3 | 9A | 85 BPM | ||
| Trad / Arr Quilter : Drink to me only with thine eyes | OperaBabes | F♯ Major | 1 | 2B | 99 BPM | ||
| You Live On in My Heart (From "Cinema Paradiso") | Jon Cohen, Noel Vine, OperaBabes, Nick Ingman, Mitch Dalton, Ivor Goldberg, Dave Hartley, London Session Orchestra | B♭ Major | 2 | 6B | 112 BPM | ||
| La Forza Del Destino 1862: La Vergine degli angeli (Act 2) | Inessa Galante | G Major | 1 | 9B | 76 BPM | ||
| Come Home | Camilla Kerslake | G Minor | 6 | 6A | 126 BPM | ||
| La Habanera de Carmen: L'amour Est un Oiseau Rebelle - Remasterizado 2003 | Tania Libertad | B♭ Major | 5 | 6B | 77 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
| The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Aseda | Lordina The Soprano | E Major | 4 | 12B | 176 BPM | ||
| Forever Young | Rhydian | D Major | 5 | 10B | 132 BPM | ||
| Vivaldi's 'Rain' | Chloe Agnew | D Major | 3 | 10B | 72 BPM | ||
| Dolce Vento | Jonathan Antoine | F Major | 2 | 7B | 142 BPM | ||
| Lascia Ch'io Pianga - Frederick Haendel | Guadalupe Pineda | D♭ Major | 3 | 3B | 63 BPM | ||
| Lascia ch'io pianga | George Frideric Handel, Charlotte Jaconelli | F Major | 2 | 7B | 91 BPM | ||
| Les Contes d'Hoffmann, Act III: Barcarolle. "Belle nuit, ô nuit d'amour" | Jacques Offenbach, OperaBabes, Nick Ingman, London Symphony Orchestra | D Major | 2 | 10B | 84 BPM | ||
| Il Bacio | Jules Massenet, Anna Netrebko | D Major | 2 | 10B | 68 BPM | ||
| Your Love | Amira Willighagen | E♭ Major | 4 | 5B | 76 BPM | ||
| Symphonie Rêvée | Saint-Preux | C Minor | 4 | 5A | 80 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Casta Diva | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | F Major | 1 | 7B | 176 BPM | ||
| One Fine Day (Un Bel Di) (From “Madame Butterfly”) | Giacomo Puccini, Katherine Jenkins, The Prague Symphonia, Anthony Ingliss | B Major | 3 | 1B | 85 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM |