Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak's ' "Parama Mangala" was released on its scheduled release date, March 2, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Sri Raghavendra Bhakthi Sowrabha". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Parama Mangala's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Parama Mangala by Sri Vdyabhushan Teertha Swamiji, Rajkumar Bharathi, Puttur Narasimha Nayak having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namipe Ganapane | Chandrika Gururaj | G Minor | 3 | 6A | 88 BPM | ||
| Nambidora Mane | M. S. Ravigowda, B. Jayashree, Nandita | C Major | 6 | 8B | 118 BPM | ||
| Kumbashi Sri Mahaganapathi Suprabhatha | K.S. Surekha | A♭ Major | 3 | 4B | 142 BPM | ||
| Poorna Chandira Banda | Manjula Gururaj, K. V. Mahadevan, Vijaya Narasimha | D♭ Major | 8 | 3B | 177 BPM | ||
| Thunga Theeradi | Narashima Naik, Purandara Dasaru | D♭ Major | 6 | 3B | 156 BPM | ||
| Neenyaako | Bhimsen Joshi | F♯ Major | 4 | 2B | 114 BPM | ||
| Subha Mangala | Ratnamala Prakash | E Minor | 4 | 9A | 134 BPM | ||
| Lakshmi Nivasa (Slokam) | Ghantashala, Arudra | E♭ Major | 4 | 5B | 131 BPM | ||
| Jo Jo Rangadhama | Sri Vdyabhushan Teertha Swamiji | D Major | 4 | 10B | 136 BPM | ||
| Nadi Nadi Girigoguva | Rajashekhar, Krishnegowda, Vijay Ygnanarayana | F Major | 5 | 7B | 123 BPM | ||
| Soma Varnane | Sowmya, Surekha | A♭ Minor | 7 | 1A | 161 BPM | ||
| Bettadarasi Chamundi | Sujatha Dutt, Sunitha Prakash | B Minor | 7 | 10A | 101 BPM | ||
| Biddiyabbe Muduki | C. Ashwath, Santha Shishunala Sharifa, Shivamogga Subbanna | D Major | 8 | 10B | 115 BPM | ||
| Annapoorna Ashktakam | S. P. Balasubrahmanyam | B♭ Minor | 1 | 3A | 128 BPM | ||
| Ale Ale Yaagi Kelide | B.K. Sumitra | F♯ Major | 5 | 2B | 82 BPM | ||
| MALEYA MAHADEVA | Malavalli Dr M Mahadevaswamy | D Major | 8 | 10B | 110 BPM | ||
| Paahi Paahimaam | Ganapathi Manthiram 4 | D Major | 3 | 10B | 52 BPM | ||
| Pavadisu Swami | Suma Shastry | D♭ Major | 4 | 3B | 152 BPM | ||
| Naadapriya Sharade | Manjula Gururaj, B.K. Sumitra, H. R. Krishnamurthy, Soumya | E Major | 4 | 12B | 141 BPM | ||
| Entha Mojina | Sulochana | E Minor | 2 | 9A | 123 BPM | ||
| Kolloura Sridevi Mookambike | B.K. Sumitra | F♯ Minor | 5 | 11A | 85 BPM | ||
| Amma Dayethore Chamundi | B. R. Chaya | C Major | 6 | 8B | 105 BPM | ||
| Baa Nanna Maadeva | Yuvaraj, Krishnegowda, Vijay Ygnanarayana | F♯ Major | 6 | 2B | 157 BPM | ||
| Thiruvilakke | Bombay Saradha | G Minor | 4 | 6A | 130 BPM | ||
| Sri Guru Siddheshwara Suprahbhatha | Sidharam Jambaladini | C Major | 3 | 8B | 141 BPM |