Fred Astaire's 'Change Partners' had a release date set for February 1, 1957. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Fred Astaire's "Mr. Top Hat" album is number 5 out of 15. On top of that, United States appears to be the country where this track was created. Change Partners is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Change Partners by Fred Astaire to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Blue Heaven | Gene Austin | E♭ Major | 0 | 5B | 66 BPM | ||
| Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
| You'd Be So Nice To Come Home To | Helen Merrill | C Major | 1 | 8B | 130 BPM | ||
| Amapola (Pretty Little Poppy) | Jimmy Dorsey & His Orchestra | D Minor | 3 | 7A | 163 BPM | ||
| Imagination | Frank Sinatra, Tommy Dorsey Orchestra | D♭ Major | 2 | 3B | 116 BPM | ||
| Rumors Are Flying | Frankie Carle | D Minor | 3 | 7A | 163 BPM | ||
| When I Lost You | Jimmy Durante | A Major | 2 | 11B | 83 BPM | ||
| Trade Winds | Frank Sinatra, Tommy Dorsey Orchestra | D♭ Major | 0 | 3B | 128 BPM | ||
| Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
| These Foolish Things | Carroll Gibbons, The Savoy Hotel Orpheans | A♭ Major | 3 | 4B | 130 BPM | ||
| Penthouse Serenade (When We're Alone) | Shirley Ross, Bob Hope | G Major | 2 | 9B | 169 BPM | ||
| Sentimental Journey | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| May You Always | The McGuire Sisters | D♭ Major | 2 | 3B | 80 BPM | ||
| Be Anything (But Be Mine) | Helen O'Connell | B Minor | 1 | 10A | 82 BPM | ||
| Who Wouldn't Love You | Kay Kyser & His Orchestra | D Minor | 3 | 7A | 163 BPM | ||
| Green Eyes | Jimmy Dorsey, Claire Hogan, Kenny Martin | G Major | 1 | 9B | 119 BPM | ||
| Everything I Love | Morgana King | B♭ Major | 1 | 6B | 96 BPM | ||
| I'll See You In My Dreams | Sue Raney | F♯ Minor | 3 | 11A | 94 BPM | ||
| How Long Has This Been Going On? - Reprise | Audrey Hepburn, Fred Astaire | G Major | 1 | 9B | 66 BPM | ||
| Let's Face the Music and Dance | Fred Astaire | G Major | 2 | 9B | 85 BPM | ||
| Lovely To Look At | Fred Astaire | C Major | 0 | 8B | 71 BPM | ||
| Time After Time | Margaret Whiting | F♯ Major | 2 | 2B | 82 BPM | ||
| Wrap Your Troubles In Dreams | Sue Raney | A Minor | 2 | 8A | 101 BPM | ||
| Hear My Song Viletta | Frank Sinatra with Tommy Dorsey and His Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
| Mr. Wonderful | Peggy Lee, Sy Oliver & His Orchestra | G Major | 1 | 9B | 111 BPM |