Michael Kamen's 'Annie And Dean' had a release date set for January 1, 1999. With This song being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "The Iron Giant (Original Score)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. In terms of popularity, Annie And Dean is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Annie And Dean by Michael Kamen having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Invictus Theme | Kyle Eastwood, Michael Stevens | A♭ Minor | 1 | 1A | 92 BPM | ||
| The Abduction And The Final Battle At The Gallows | Michael Kamen | G Major | 3 | 9B | 128 BPM | ||
| If I Had Words | Melbourne Symphony Orchestra, Nigel Westlake | G Major | 3 | 9B | 105 BPM | ||
| Main Title - From "The Last Of The Mohicans" | Trevor Jones | D Minor | 3 | 7A | 178 BPM | ||
| Kyrie For The Magdalene | Richard Harvey | C Major | 1 | 8B | 183 BPM | ||
| Hymn To The Fallen - From "Saving Private Ryan" Soundtrack | John Williams | G Major | 1 | 9B | 127 BPM | ||
| Going Home (End Titles from “Master of the Air”) | Blake Neely | C Major | 1 | 8B | 76 BPM | ||
| Coronation | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 4 | 8B | 87 BPM | ||
| Nimrod (From the Enigma Variations) | Edward Elgar | E♭ Major | 3 | 5B | 103 BPM | ||
| Praying | Rupert Gregson-Williams | A Minor | 4 | 8A | 83 BPM | ||
| Garden Scene | Randy Edelman | E Major | 0 | 12B | 67 BPM | ||
| The Riders of Rohan | Howard Shore | G Major | 3 | 9B | 171 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM | ||
| Cora | Trevor Jones | E Major | 1 | 12B | 70 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| The Desert | Eric Clapton, Michael Kamen | E Minor | 5 | 9A | 145 BPM | ||
| Suite from X2 | John Ottman | B♭ Major | 2 | 6B | 82 BPM | ||
| Espiritu Esa Ala | David Hirschfelder | C Major | 5 | 8B | 98 BPM | ||
| The Lord of The Rings: The Fellowship of the Ring : Main Theme | Royal Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM | ||
| Theme From "We Are Marshall" | Christophe Beck | D Major | 1 | 10B | 100 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| Love Changes Everything | Mark McKenzie | F Major | 0 | 7B | 58 BPM | ||
| Lawrence Of Arabia: Theme | London Festival Orchestra, Stanley Black | A Major | 3 | 11B | 168 BPM | ||
| Reunion And Finale (From "Gettysburg") | Cincinnati Pops Orchestra, Erich Kunzel, Timothy Berens | G Major | 3 | 9B | 56 BPM |