On September 18, 2020, the song "London Arrival" was released by Daniel Pemberton. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. London Arrival's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 29 in Enola Holmes (Music from the Netflix Film) by Daniel Pemberton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, London Arrival's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of London Arrival by Daniel Pemberton is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Queen Joanna of Castile | Chris Egan, Samuel Sim | G Major | 2 | 9B | 69 BPM | ||
| We're Dark Fey | Geoff Zanelli | B Minor | 3 | 10A | 84 BPM | ||
| The Cheek Of Night | Abel Korzeniowski | D Minor | 1 | 7A | 97 BPM | ||
| For England | Daniel Pemberton | D Minor | 1 | 7A | 78 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Walking Is Just Like Swimming | Dan Romer | A Major | 1 | 11B | 142 BPM | ||
| The Game's Afoot | Nathan Johnson | D Minor | 1 | 7A | 73 BPM | ||
| Walking Bus | Thomas Newman | C Major | 2 | 8B | 106 BPM | ||
| The Great Port of the Air | Luis Humanoide | B Minor | 2 | 10A | 80 BPM | ||
| Take It, It's Yours | Carlos Rafael Rivera | E♭ Major | 0 | 5B | 92 BPM | ||
| Find Your Path | Daniel Pemberton | C Major | 5 | 8B | 78 BPM | ||
| Strike Now | Joseph Trapanese, The Budapest Art Orchestra | A♭ Major | 3 | 4B | 154 BPM | ||
| The Waterfall | Joel P West | E♭ Major | 3 | 5B | 89 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| The Day That Wasn’t | Jeff Russo | E Minor | 2 | 9A | 142 BPM | ||
| Sherwood Forest | Marc Streitenfeld | A Minor | 1 | 8A | 91 BPM | ||
| Klara Can Walk | Niki Reiser | A Minor | 3 | 8A | 87 BPM | ||
| Come With Me | Kris Bowers | E Minor | 1 | 9A | 100 BPM | ||
| The Princess Diaries Medley - Score | John Debney | F Major | 1 | 7B | 73 BPM | ||
| The Last Dance | Samuel Sim | G Major | 2 | 9B | 151 BPM | ||
| The Latest Whistledown | Kris Bowers | D Major | 4 | 10B | 124 BPM | ||
| The End Was Peaceful | Dominik Scherrer | G Minor | 1 | 6A | 140 BPM | ||
| The De Lesseps' Dance - Instrumental | Stephen Warbeck, Nick Ingman, Gavyn Wright | D Minor | 1 | 7A | 136 BPM | ||
| Can't Slow Down - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | G Major | 1 | 9B | 116 BPM | ||
| Run With the Herd - From "The Good Dinosaur" Score | Mychael Danna, Jeff Danna | D Major | 3 | 10B | 120 BPM |