"Wake Me" by Beth Porter had its release date on June 7, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of When the Lights are Bright by Beth Porter. The song's track number on the album is #2 out of 10 tracks. In terms of popularity, Wake Me is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wake Me by Beth Porter has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wake Me being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prince's Strand | Breabach | E♭ Major | 6 | 5B | 126 BPM | ||
| The Scarecrow Knows (Episode 1 Credits Edit) | The Scarecrow of Scatterbrook | B Minor | 1 | 10A | 102 BPM | ||
| Don't Rush It | The Breath | D Minor | 2 | 7A | 165 BPM | ||
| Lon-dubh - Live | Julie Fowlis | B♭ Major | 4 | 6B | 100 BPM | ||
| The Longford Tinker | Martin Hayes, The Common Ground Ensemble | B Minor | 3 | 10A | 81 BPM | ||
| Beeswing | Richard Thompson | F Major | 2 | 7B | 138 BPM | ||
| Titrwm Tatrwm | The Gentle Good | D♭ Minor | 3 | 12A | 100 BPM | ||
| Swim Until You Can’t See Land | Karine Polwart | C Major | 5 | 8B | 149 BPM | ||
| Bonnie Lass of Fyvie | Iona Fyfe | E♭ Major | 3 | 5B | 125 BPM | ||
| Goodnight And Joy | Dougie MacLean | E♭ Major | 1 | 5B | 94 BPM | ||
| Canny Keel Lad | Kathryn Tickell, The Unthanks | G Major | 3 | 9B | 112 BPM | ||
| Past Caring | Jackie Oates | B Minor | 2 | 10A | 120 BPM | ||
| Chapter 10 - Reduce, Reuse, Reimagine - Sorting Out the Recycling System | Beth Porter, Natalie Naudus | F♯ Minor | 2 | 11A | 96 BPM | ||
| The Sun's Comin' over the Hill | Karine Polwart | F♯ Major | 3 | 2B | 92 BPM | ||
| Only Stories - Acoustic | The Breath | A♭ Minor | 1 | 1A | 88 BPM | ||
| Fetch My Heart | Jess Vincent, Beth Porter, Marcel Rose, Reg Meuross, Roy Dodds | D Major | 3 | 10B | 164 BPM | ||
| Sir Patrick Spens (Child 58) | Anaïs Mitchell, Jefferson Hamer | F♯ Minor | 4 | 11A | 101 BPM | ||
| Where the World Is Thin | Kris Drever | G Major | 3 | 9B | 87 BPM | ||
| Farewell Shanty | The Scarecrow of Scatterbrook | C Major | 1 | 8B | 80 BPM | ||
| Hare Spell | Fay Hield | C Major | 3 | 8B | 100 BPM | ||
| Reres Hill | Emily Smith | G Major | 4 | 9B | 125 BPM | ||
| The Herring Girl | Bella Hardy | E Major | 3 | 12B | 179 BPM | ||
| Heron | Spell Songs, Seckou Keita | F♯ Major | 4 | 2B | 97 BPM | ||
| Buoy | Emma Hooper, Bethany Porter, Ian Vorley, Susan Lord, Red Carousel | C Major | 1 | 8B | 84 BPM | ||
| Waterbound | Michael McGoldrick | E Major | 4 | 12B | 80 BPM |