"Thou Knowest Lord" by Sir Martin Talbot, The Oxford Trinity Choir had its release date on 2016. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 57 out of 60 in Christmas Carols by The Regency House Choir. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Thou Knowest Lord is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thou Knowest Lord by Sir Martin Talbot, The Oxford Trinity Choir is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Holly and the Ivy | Stuart Thompson, The Elora Singers, Michael Bloss, Noel Edison | D♭ Major | 1 | 3B | 72 BPM | ||
| Adventi ének (Veni, veni Emmanuel): Adventi enek [Veni, veni Emmanuel] | Zoltán Kodály, Opus 7 Vocal Ensemble, Loren W. Ponten | F Minor | 0 | 4A | 98 BPM | ||
| Away in a Manger (Arr. D. Willcocks for Soprano & Choir) | William J. Kirkpatrick, Ann Hoyt, Trinity Church Choir, New York | A Major | 2 | 11B | 80 BPM | ||
| Unto Us is Born a Son (Arr. Sir David Willcocks) | Anonymous, Daniel Hyde, Choir of King's College, Cambridge, Britten Sinfonia | G Major | 2 | 9B | 84 BPM | ||
| Unto Us is Born a Son (Words & Music from Piae Cantiones, 1584 ) - tune Arr. G. Palmer | Huddersfield Choral Society, David Bell, Owain Arwel Hughes | D Major | 1 | 10B | 73 BPM | ||
| Once in Royal David's City | Henry John Gauntlett, The Elora Singers, Michael Bloss, Noel Edison | D♭ Major | 1 | 3B | 72 BPM | ||
| King Jesus Hath A Garden | Stephen Cleobury, Nicholas Todd, Henry Mitton, Choir of King's College, Cambridge, David Goode, Tricia Clark | A Major | 1 | 11B | 78 BPM | ||
| The Holly and the Ivy | Lesley Postle, Eleanor Boulter, Andrew Fowler-Watt, David Roper, Academy of St. Martin in the Fields, Academy of St Martin in the Fields Chorus, Sir Neville Marriner | B Minor | 1 | 10A | 121 BPM | ||
| I Sing Of A Maiden | Westminster Cathedral Choir | E♭ Major | 0 | 5B | 63 BPM | ||
| Away In A Manger | William J. Kirkpatrick, Mark Tinkler, Choir of St. John's College, Cambridge, George Guest | F♯ Major | 1 | 2B | 69 BPM | ||
| Lullaby My Jesus | Peter Warlock, Winchester Cathedral Choir, David Hill | G Major | 1 | 9B | 85 BPM | ||
| The angel Gabriel | Philip Moore, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin, Vladimir Pantea | B Minor | 2 | 10A | 68 BPM | ||
| O Holy Night | Adolphe Adam, Choirs of St. John Cantius, Orchestra of St. John Cantius Church, Chicago, IL, Fr. Scott A. Haynes, SJC | D Major | 4 | 10B | 129 BPM | ||
| Puer nobis | Richard Rodney Bennett, The Choir Of St John's College, Oxford, David Bannister | D Minor | 0 | 7A | 127 BPM | ||
| Sing Lullaby | Sir Martin Talbot, The Oxford Trinity Choir | F Major | 2 | 7B | 129 BPM | ||
| Of the Father's heart begotten (Arr. David Willcocks) | Traditional (Piae Cantiones), Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin | E Major | 2 | 12B | 62 BPM | ||
| The King Shall Come When Morning Dawns | Donald Davison, The Priory Singers, Belfast, Philip Stopford, Harry Grindle | F♯ Minor | 1 | 11A | 92 BPM | ||
| Traditional: Chester Carol | Anonymous, Choir of King's College, Cambridge, Thomas Trotter, Philip Ledger | B Major | 0 | 1B | 131 BPM | ||
| Born On Earth | Anonymous, Choir of St. John's College, Cambridge, George Guest | A♭ Major | 1 | 4B | 97 BPM | ||
| Of the Father's love begotten | John Rutter, Piae Cantiones, Clare College Singers, Clare College Orchestra, Jeremy Blandford | E Major | 2 | 12B | 81 BPM | ||
| Good King Wenceslas (Arr. for Choir & Organ by R. Jacques) | Anonymous, York Minster Choir, John Scott Whiteley, Philip Moore | F♯ Major | 1 | 2B | 133 BPM | ||
| It Came Upon the Midnight Clear | The Sixteen | F Major | 2 | 7B | 84 BPM | ||
| Comfort Ye, My People | The Choir and Orchestra of Pro Christe | B Major | 0 | 1B | 87 BPM | ||
| Praise My Soul the King of Heaven | Sir Martin Talbot, The Oxford Trinity Choir | D Major | 3 | 10B | 65 BPM | ||
| Unto Us Is Born a Son - Puer Nobis Nascitor | Worcester Cathedral Choir | D Major | 2 | 10B | 127 BPM |