K. J. Yesudas, Usha Mangeshkar, Chandrani Mukherjee's ' "Hare Rama Hare Rama-Various" was released on its scheduled release date, January 1, 1983. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Door Desh by Usha Khanna, Indeevar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Hare Rama Hare Rama-Various's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Hare Rama Hare Rama-Various by K. J. Yesudas, Usha Mangeshkar, Chandrani Mukherjee is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanakuyilin Male | G Venugopal, Alex Paul, Ouseppachan, Shibu Chakravarthy | B Minor | 8 | 10A | 110 BPM | ||
| Maynakaponmudiyil | G Venugopal | E♭ Major | 5 | 5B | 95 BPM | ||
| Tharalitharaavil - Version, 3 | M. M. Keeravaani, K. J. Yesudas | G Minor | 1 | 6A | 79 BPM | ||
| Vande Mukunda Hare (From “Ravanaprabhu”) | Nikhil, Gireesh Puthenchery, Suresh Peters | D Major | 3 | 10B | 134 BPM | ||
| Melleyen Kanni | Yesudas | B Minor | 5 | 10A | 81 BPM | ||
| Pinne Ennodonnum - Version, 01 | M. Jayachandran, K. J. Yesudas | G Minor | 9 | 6A | 145 BPM | ||
| Kandu Kandu Kothi male | Nishad | A Minor | 6 | 8A | 100 BPM | ||
| Malayali Penne | Sreekumaran Thampi, K. J. Yesudas | B Minor | 7 | 10A | 87 BPM | ||
| Karale Nin Kai | Vidyasagar, Kaithapram, Preetha Kannan, K. J. Yesudas | C Major | 6 | 8B | 92 BPM | ||
| Sreelavasantham | Raveendran, K. J. Yesudas | D Major | 6 | 10B | 88 BPM | ||
| Kayalarikathu | K.Raghavan | B♭ Major | 6 | 6B | 140 BPM | ||
| Varamanjalaadiya (Male) | Vidyasagar, Gireesh Puthenchery, Sachidanandan Puzhankara, K. J. Yesudas | C Major | 2 | 8B | 137 BPM | ||
| Naladamayanthi Kadhayile Arayannampole | Satheesh Babu | E Minor | 4 | 9A | 86 BPM | ||
| Oru Kunju Poovinte | Vidyasagar, K. J. Yesudas, M. G. Sreekumar, Sujatha | D Major | 3 | 10B | 120 BPM | ||
| Chumbana Pookondu | Sreekumaran Thampi, K. J. Yesudas | F Major | 5 | 7B | 86 BPM | ||
| Maranjupoyathenthe | Kaithapram, K. J. Yesudas | E Major | 3 | 12B | 144 BPM | ||
| Raathinkal | Johnson, K. J. Yesudas | C Major | 3 | 8B | 147 BPM | ||
| Pookkanu Pookkanu | M. G. Sreekumar, K. J. Yesudas | E Major | 6 | 12B | 146 BPM | ||
| Maada Praave Vaa | K. J. Yesudas, Salil Chowdhury | A♭ Major | 5 | 4B | 105 BPM | ||
| Ananda Ragam Ketkum Kaalam - From "Paneer Pushpangal" | Uma Ramanan | A♭ Major | 5 | 4B | 110 BPM | ||
| Etho Rathri - Male Version | M. Jayachandran, K. J. Yesudas | D♭ Major | 6 | 3B | 168 BPM | ||
| Katte Nee Veesharuthippol | Umbayee | F♯ Minor | 4 | 11A | 92 BPM | ||
| Padam Namukku Padam | Yesudas, S. P. Sailaja | A Major | 8 | 11B | 86 BPM | ||
| Bhoopalam Isaikkum | Uma Ramanan, K. J. Yesudas | E Major | 5 | 12B | 105 BPM | ||
| Rathingal Poothali | Johnson, K. J. Yesudas, Gireesh Puthenchery | D Major | 2 | 10B | 88 BPM |