Johan Helmich Roman, Uppsala Chamber Orchestra's 'Bilagers Musiquen, Drottningholmsmusique: Non Troppo Allegro' had a release date set for October 17, 1997. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johan Helmich Roman's "Johan Helmich Roman: Music For A Royal Wedding" album is number 4 out of 32. Based on our statistics, Bilagers Musiquen, Drottningholmsmusique: Non Troppo Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bilagers Musiquen, Drottningholmsmusique: Non Troppo Allegro by Johan Helmich Roman, Uppsala Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Indes Galantes - Air des Incas pour la dévotion du Soleil | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 0 | 2B | 112 BPM | ||
| Flute Sonata VI in B Minor, BeRI 206: II. Allegro | Johan Helmich Roman, Musica ad Rhenum, Jed Wentz, Job Ter Haar, Michael Borgstede | D Major | 1 | 10B | 170 BPM | ||
| Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": II. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | ||
| Concerto in D for 3 trumpets, 2 oboes, timpani and strings, TWV 54:D2: iii. Largo | Telemann, Esterhazy Orchestra, David Blum | A Major | 2 | 11B | 116 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
| Suite Premiere - Ii. Menuet I-Ii-I (Charles Desmazures) | Grupo de musica barroca La Folia/Pedro Bonet | E♭ Major | 1 | 5B | 134 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
| Instrumental Music from King Arthur, Z. 628: 1. Overture | Henry Purcell, Jeanne Lamon, Tafelmusik Baroque Orchestra | D♭ Minor | 1 | 12A | 117 BPM | ||
| Symphony No.4 in F Major: 1. Allegro | William Boyce, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 94 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Overture in B-Flat Major, Op. 8, No. 1: II. Andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 0 | 6B | 85 BPM | ||
| Atys, LWV 53, Prologue: Premier air pour la suite de Flore | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | E Major | 1 | 12B | 125 BPM | ||
| Symphony in G Major, Eisen G17: II. Andante | Leopold Mozart, New Zealand Chamber Orchestra, Donald Armstrong | B♭ Major | 1 | 6B | 173 BPM | ||
| Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| San Francesco di Sales: Sinfonia | Francesco Feo, Stuttgart Chamber Orchestra, Fabio Biondi | D Major | 1 | 10B | 137 BPM | ||
| Mozart: Divertimento in D Major, K. 136 "Salzburg Symphony No. 1": II. Andante | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | B Minor | 1 | 10A | 105 BPM | ||
| Concerto Armonico No. 5 in F Minor: Adagio - Largo | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Minor | 0 | 9A | 92 BPM | ||
| Himmelskönig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | F♯ Major | 0 | 2B | 96 BPM | ||
| Macbeth, End of Act 4 – the Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | D Major | 1 | 10B | 71 BPM | ||
| Symphony in B-Flat Major: II. Andante | Franz Xaver Richter, L'Orfeo Barockorchester, Michi Gaigg | D♭ Major | 3 | 3B | 146 BPM | ||
| Concerto Grosso in A Minor, Op. 3, No. 2: I. Presto: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 141 BPM | ||
| Ouverture in G Major: III. Sarabande | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 113 BPM | ||
| Concerto a cinque No. 11, Op. 9: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 3 | 11B | 125 BPM |