George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward's ' "Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro" was released on its scheduled release date, October 9, 1996. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Handel: Oboe Concertos Nos. 1- 3 / Suite in G Minor" album is number 4 out of 26. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Oboe Concerto No. 3 in G Minor, HWV 287: IV. Allegro by George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM | ||
| Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
| Concerto Grosso In C Minor, Op. 6, No. 3 : IV. Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Quido Holbling, Anna Holbling, Capella Istropolitana | C Minor | 3 | 5A | 77 BPM | ||
| Suite No. 2 in B minor, BWV 1067: 5. Polonaise | Johann Sebastian Bach, Wolfgang Schulz, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 4 | 11B | 117 BPM | ||
| Symphony No. 14 in D Major: III. Adagio | William Herschel, Matthias Bamert, London Mozart Players | D Major | 1 | 10B | 76 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| Dardanus Suite, RTC 35A, Act I: Rigaudons I & II | Jean-Philippe Rameau, Indianapolis Baroque Orchestra, Barthold Kuijken | F♯ Major | 1 | 2B | 93 BPM | ||
| Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | B♭ Major | 1 | 6B | 59 BPM | ||
| Purcell: King Arthur, Z. 628: Overture | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | D♭ Minor | 1 | 12A | 122 BPM | ||
| Oboe Concerto in D Minor, BWV 1059R: 2. Adagio (Performed on Recorder) | Johann Sebastian Bach, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | D♭ Minor | 1 | 12A | 90 BPM | ||
| Oboe Concerto in A Minor: III. Allegro | Domenico Elmi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | A Minor | 3 | 8A | 130 BPM | ||
| Symphonies pour le Festin Royal du Comte d'Artois, Suite in G minor: Contredanse | François Francoeur, La Simphonie Du Marais, Hugo Reyne | D♭ Minor | 3 | 12A | 109 BPM | ||
| Concerto grosso in D Major, Op. 6 No. 4: IV. Allegro | Arcangelo Corelli, Capella Istropolitana, Jaroslav Krcek | F Major | 2 | 7B | 136 BPM | ||
| Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
| Symphony No. 4 in F Major, Op. 2, "Shepherd's Lottery": II. Vivace ma non troppo | William Boyce, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 118 BPM | ||
| Overture (Suite) in E-Flat Major, TWV 55:Es3, "La lyra": VII. Gigue | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | E♭ Major | 2 | 5B | 125 BPM | ||
| Bach, CPE: Flute Concerto in D Minor: I. Allegro (After Harpsichord Concerto, Wq. 22) | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakademie Potsdam | D Minor | 2 | 7A | 96 BPM | ||
| Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: III. Allegro | Johann Friedrich Fasch, Il Gardellino | D♭ Major | 2 | 3B | 118 BPM | ||
| Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | A Major | 2 | 11B | 110 BPM | ||
| Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
| Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
| Concerto for Oboe & Violin in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Lisa Stewart, Christian Hommel, Kolner Kammerorchester, Helmut Müller-Brühl | D Minor | 1 | 7A | 73 BPM | ||
| II. Les plaisirs | Georg Philipp Telemann, Jiří Stivín, Capella Istropolitana, Richard Edlinger | A Minor | 2 | 8A | 141 BPM |