Mark Maxwell's 'Misty' had a release date set for May 18, 1996. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Mark Maxwell's "Midnight Mood" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, Misty is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Misty by Mark Maxwell to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frequency Of Knowing | Mark Maxwell | F Major | 5 | 7B | 170 BPM | ||
| Cozy, Winter Chillout Lounge Jazz | Chillout Lounge Jazz | C Major | 4 | 8B | 80 BPM | ||
| Parlor San Lorenzo | Monochrome Silence | E♭ Major | 3 | 5B | 75 BPM | ||
| Pavement Stories | City Jazzscape | G Minor | 5 | 6A | 166 BPM | ||
| Brass Motel | Horn Society | E♭ Major | 6 | 5B | 103 BPM | ||
| Medina Gate | Still Geometry Jazz | B♭ Major | 3 | 6B | 75 BPM | ||
| notturnino | is it sunday? | A Major | 3 | 11B | 70 BPM | ||
| Romantique (Musique Jazz) | trompette | F Major | 3 | 7B | 150 BPM | ||
| Renovacao Jazz Espiritual | Jazz de Natal | C Major | 0 | 8B | 90 BPM | ||
| Tears in the Saxophone | Virtual Sax | A Major | 3 | 11B | 70 BPM | ||
| Cobalt Serenade | Café Skyline | B♭ Major | 4 | 6B | 129 BPM | ||
| Interstellar Gloom | The Half Light Ensemble | A♭ Minor | 5 | 1A | 118 BPM | ||
| Rhythmic Jazz Tales by the Sax | Tom Media | C Major | 3 | 8B | 130 BPM | ||
| Martini Fog | After Hours Swing | F Major | 2 | 7B | 53 BPM | ||
| Lily Was Here | Mark Maxwell | F Minor | 6 | 4A | 105 BPM | ||
| Fragile | Gordon James | G Minor | 3 | 6A | 144 BPM | ||
| Cordial Welcome | Mélodique | G Minor | 3 | 6A | 83 BPM | ||
| I Can't Make You Love Me | Mark Maxwell | G Minor | 3 | 6A | 124 BPM | ||
| Gridfall Jazz Study | Skyline Dots | B♭ Minor | 5 | 3A | 111 BPM | ||
| Parlor by the River | uuunderwater | C Minor | 2 | 5A | 71 BPM | ||
| El Mundo Sonríe Hoy | Jimmy Flower Sax | A Major | 3 | 11B | 70 BPM | ||
| No More Blues | Jim Tomlinson, Chris Wells, Colin Oxley, John Pearce, Simon Thorpe | C Minor | 4 | 5A | 97 BPM | ||
| Through Our Years | Sterling Street Ensemble | B♭ Major | 1 | 6B | 120 BPM | ||
| Blue Ballad | Phil Woods, Space Jazz Trio | D Major | 2 | 10B | 118 BPM | ||
| Autumn Leaves | Manhattan Jazz Quartett, Debbie Davis | A Minor | 5 | 8A | 91 BPM |