"Oceanum Mortuis" by In Quantum had its release date on July 23, 2019. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in In Quantum's "Memory 417" album is number 3 out of 12. On top of that, United States appears to be the country where this track was created. The popularity of Oceanum Mortuis is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oceanum Mortuis by In Quantum to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Across the Shifting Abyss | Dahlia's Tear | A Minor | 5 | 8A | 85 BPM | ||
| A Door Made of Light, Pt. II | Northumbria | A Minor | 1 | 8A | 75 BPM | ||
| Ngc 8541 | Sphäre Sechs | F Major | 0 | 7B | 142 BPM | ||
| The Dead City | Ager Sonus | C Major | 2 | 8B | 79 BPM | ||
| Inverted Horizon | Hilyard | A♭ Major | 1 | 4B | 76 BPM | ||
| Die Klänge Der Alten | Musica Cthulhiana | B Minor | 2 | 10A | 101 BPM | ||
| Railroom | Cities Last Broadcast | D♭ Major | 5 | 3B | 134 BPM | ||
| Winter's Bite | Dead Melodies | D Major | 0 | 10B | 84 BPM | ||
| Envelop | Cementation Anxiety | E♭ Minor | 4 | 2A | 107 BPM | ||
| Through the Gates of Death | Inade | B♭ Major | 4 | 6B | 127 BPM | ||
| We All Turn to Stars | God Body Disconnect | B Minor | 2 | 10A | 83 BPM | ||
| Clouds over the Ocean | Acoustic Levitation | E Minor | 1 | 9A | 95 BPM | ||
| The Coming | Vestigial | F♯ Major | 5 | 2B | 138 BPM | ||
| Before the End | Keosz | D♭ Minor | 2 | 12A | 90 BPM | ||
| The Underground | Mark Morgan | A Major | 4 | 11B | 84 BPM | ||
| How It All Ended | Hoshin | F Minor | 7 | 4A | 68 BPM | ||
| The Magi | Council of Nine | D Major | 2 | 10B | 80 BPM | ||
| Exiled from Human Life | Kristof Bathory | E Minor | 6 | 9A | 80 BPM | ||
| Iron Bloodstream | Kammarheit | C Minor | 0 | 5A | 81 BPM | ||
| All I Had to Do | Keosz | E Minor | 3 | 9A | 80 BPM | ||
| Celestial Bodies | Dahlia's Tear | C Minor | 3 | 5A | 68 BPM | ||
| Signal | Inade | E♭ Major | 4 | 5B | 62 BPM | ||
| Reverence of Wounds | Randal Collier-Ford, Simon Heath | A Major | 2 | 11B | 62 BPM | ||
| Struggling | Sjellos | E♭ Minor | 4 | 2A | 73 BPM | ||
| Torngat | Northumbria | C Major | 3 | 8B | 79 BPM |