"Yes I Will Yes, Pt. 2: No. 1, Funeral March - The Small Dead One - Funeral" by Dieter Schnebel, Sarah Maria Sun, Vanessa Porter, Johannes Fischer, Gabriel Dernbach had its release date on April 1, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Yes I Will Yes by Sarah Maria Sun. The song's track number on the album is #8 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Yes I Will Yes, Pt. 2: No. 1, Funeral March - The Small Dead One - Funeral's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Yes I Will Yes, Pt. 2: No. 1, Funeral March - The Small Dead One - Funeral by Dieter Schnebel, Sarah Maria Sun, Vanessa Porter, Johannes Fischer, Gabriel Dernbach has a tempo of 139 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Yes I Will Yes, Pt. 2: No. 1, Funeral March - The Small Dead One - Funeral being at 139 BPM, the half-time would be 70 BPM with a double-time of 278 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l'Ange qui annonce la fin du Temps | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F♯ Minor | 0 | 11A | 97 BPM | ||
| Lamentate: Pregando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | D♭ Minor | 0 | 12A | 68 BPM | ||
| Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | E♭ Minor | 3 | 2A | 60 BPM | ||
| Gods Glorie Ende Heerlicheyt (Ic hadde een gestadich minneken) | Martien van der Knijff | E♭ Major | 2 | 5B | 84 BPM | ||
| Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | ||
| Movimento: 19. Trippeln und Zwischenstücke 4a, 4b | Dieter Schnebel, AG Neue Musik am Leininger-Gymnasium Grünstadt, Silke Egeler-Wittmann | A♭ Major | 2 | 4B | 81 BPM | ||
| The Miraculous Mandarin, Sz. 73: She Resists No Longer – They Embrace. Più mosso – Vivo | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | E♭ Major | 0 | 5B | 77 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| Voices of Light: II. Victory at Orleans (Letter from Joan of Arc) - Voice | Richard Einhorn, Anonymous 4, Netherlands Radio Choir, Netherlands Radio Philharmonic Orchestra, Steven Mercurio | D Minor | 0 | 7A | 84 BPM | ||
| Glossolalie: Teil III | Dieter Schnebel, Ensemble Musica Negativa, Rainer Riehn | A♭ Major | 4 | 4B | 115 BPM | ||
| National Day of Mourning | David Jacques | E Major | 1 | 12B | 70 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 6 | John Cage, Boris Berman | E Minor | 0 | 9A | 127 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | B♭ Major | 0 | 6B | 96 BPM | ||
| Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
| Variations for Orchestra, Op. 31: Variation IV. Walzertempo | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 1 | 4B | 108 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Adams: Harmonielehre, Pt. II: the Anfortas Wound | John Adams, Edo de Waart, San Francisco Symphony | G Minor | 0 | 6A | 67 BPM | ||
| K’vakarat | Osvaldo Golijov, Arethusa Quartet, Barry Shiffman | B♭ Major | 0 | 6B | 96 BPM | ||
| Movimento: 14. Prozession und Zwischenstück 6b: Aufstand II | Dieter Schnebel, AG Neue Musik am Leininger-Gymnasium Grünstadt, Silke Egeler-Wittmann | G Minor | 2 | 6A | 132 BPM | ||
| Cage: Bacchanale | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
| Trees and Pipes: VII. — | George Bonn, Carin Levine, Dieter Schnebel, Georg Hajdu | G Major | 0 | 9B | 80 BPM | ||
| Trees and Pipes: IV. — | George Bonn, Carin Levine, Dieter Schnebel, Georg Hajdu | G Major | 0 | 9B | 80 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM |