"Sinfonia For Strings In D Major, RV 122: II. Largo" by City of London Sinfonia, Antonio Vivaldi had its release date on July 29, 1997. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Famous Concertos by Budapest Strings. The song's track number on the album is #11 out of 27 tracks. Sinfonia For Strings In D Major, RV 122: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sinfonia For Strings In D Major, RV 122: II. Largo by City of London Sinfonia, Antonio Vivaldi has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sinfonia For Strings In D Major, RV 122: II. Largo being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Sacrum Convivium | Gabriel Jackson, Samuel Rathbone, The Choir of Royal Holloway, Rupert Gough | E♭ Major | 0 | 5B | 69 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| If Ye Love Me | Thomas Tallis, Owain Park, The Gesualdo Six | F Major | 1 | 7B | 82 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
| Her kjem me, dine arme smaa (Arr. Idunn Vindspoll) | Johann Abraham Peter Schulz, Idunn Vindspoll, Elias Blix, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg Weyde, Inger-Lise Ulsrud | A Major | 1 | 11B | 66 BPM | ||
| Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 1 | 7B | 71 BPM | ||
| How lovely is Thy dwelling place | Johannes Brahms, Roger Judd, The Choir of St George's Chapel, Windsor Castle, Timothy Byram-Wigfield | A Major | 2 | 11B | 129 BPM | ||
| Transfigurations: II. Photon | Christopher Tin, Kantorei, Alicia Rigsby, Dylan Tyree, David Short, Nicholas Recuber, Remy Le Boeuf | B Major | 1 | 1B | 138 BPM | ||
| Snow Angel: III. God Will Give Orders | Sarah Quartel, Ariose Women's Choir, Helen Stuart, Jolaine Kerley, Kathleen de Caen | G Minor | 1 | 6A | 84 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| The Road Home (Bonus Track) | Stephen Paulus, Stephen Cleobury, Choir of King's College, Cambridge | F Major | 1 | 7B | 65 BPM | ||
| A Welsh Lullaby | The Choir of All Saints' Episcopal Church | G Major | 1 | 9B | 79 BPM | ||
| Rameau: Les Boréades, Act 4: Entrée de Polymnie | Jean-Philippe Rameau, Gyorgy Vashegyi, Orfeo Orchestra | D Major | 2 | 10B | 122 BPM | ||
| Summer Together | VOX, Elizabeth Scott, Tim Cunniffe | G Major | 2 | 9B | 146 BPM | ||
| Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
| Widor: Toccata (from Symphony No. 5) | Charles-Marie Widor, David Poulter | F Major | 2 | 7B | 119 BPM | ||
| In the Bleak Midwinter | Gustav Holst, Zurich Chamber Singers, Christian Erny | A Minor | 4 | 8A | 66 BPM | ||
| Alleluia: III. Night | Valentin Silvestrov, Kārlis Rūtentāls, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
| Hodie Christus Natus Est | Traditional, Poor Clare Sisters Arundel, Juliette Pochin, James Morgan, Adrian Bradbury | F Major | 2 | 7B | 82 BPM | ||
| Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
| Irish Blessing - SATB | Bob Chilcott, The Oxford Choir | C Major | 0 | 8B | 77 BPM | ||
| The Ground | Ola Gjeilo, Phoenix Chorale, Charles Bruffy, The Harrington String Quartet | E♭ Major | 0 | 5B | 81 BPM |