Jim Williams's 'Cheek to Bentside' had a release date set for 2013. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Cheek to Bentside's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 15 in A Field In England (Original Motion Picture Soundtrack) by Jim Williams. In terms of popularity, Cheek to Bentside is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Cheek to Bentside by Jim Williams is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lipstick To Void | Mica Levi | D♭ Major | 2 | 3B | 134 BPM | ||
| When We Die | Marc Streitenfeld | C Major | 1 | 8B | 128 BPM | ||
| The Sin of Being Born | Jim Williams | F Minor | 0 | 4A | 141 BPM | ||
| If Anyman Thirst | Cliff Martinez | G Minor | 2 | 6A | 160 BPM | ||
| Awakening | Lustmord | D♭ Major | 2 | 3B | 140 BPM | ||
| Spirals | Hanan Townshend | D Major | 2 | 10B | 81 BPM | ||
| War Tourist | Dan Wool | A♭ Minor | 9 | 1A | 128 BPM | ||
| Blue and Gray | SQÜRL | D Major | 0 | 10B | 71 BPM | ||
| The Hellgate | jung jaeil | B♭ Minor | 1 | 3A | 103 BPM | ||
| First Day With Mabel | Emilie Levienaise-Farrouch | C Major | 2 | 8B | 173 BPM | ||
| In the Woods | Arnaud Toulon | C Major | 1 | 8B | 64 BPM | ||
| Black Madonna | Cat's Eyes | B♭ Major | 2 | 6B | 129 BPM | ||
| Calm - Original Mix | Elara Lilara | B Minor | 1 | 10A | 135 BPM | ||
| Andrew Void | Mica Levi | D Minor | 2 | 7A | 64 BPM | ||
| The Eroding (Fairytale Music) | Marcus Fjellström | C Minor | 6 | 5A | 130 BPM | ||
| Thesaurus Tuus | Daniel Hart | D Major | 2 | 10B | 60 BPM | ||
| Saint Maud Main Theme | Adam Janota Bzowski | D♭ Major | 1 | 3B | 92 BPM | ||
| Funeral | Colin Stetson | G Major | 1 | 9B | 89 BPM | ||
| 7h38 - Ligne 12 | Carla Pallone | B Minor | 1 | 10A | 135 BPM | ||
| Xenolinguistics | Jóhann Jóhannsson | C Major | 1 | 8B | 168 BPM | ||
| This Is Existing | Atticus Ross, Leopold Ross, Claudia Sarne | C Minor | 1 | 5A | 116 BPM | ||
| The Navigators | Yair Elazar Glotman, Jóhann Jóhannsson, Else Torp, Kate Macoboy, Viktor Orri Árnason, Budapest Art Orchestra | F Major | 1 | 7B | 90 BPM | ||
| Figuras Paternas | Universos Terrenales | C Major | 1 | 8B | 75 BPM | ||
| Fantasies | Jason Hill | D♭ Major | 0 | 3B | 71 BPM | ||
| The Holy Spider | Martin Dirkov | A Minor | 7 | 8A | 114 BPM |