James Labrie's ' "No Returning" was released on its scheduled release date, May 13, 2008. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Prime Cuts". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, No Returning is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With No Returning by James Labrie having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Burden of Truth | Circle II Circle | C Minor | 10 | 5A | 135 BPM | ||
| Tarkus | Derek Sherinian, Simon Phillips, Robert Berry, James Labrie | F Major | 8 | 7B | 111 BPM | ||
| Departure | Triosphere | G Minor | 9 | 6A | 152 BPM | ||
| Through Our Darkest Days | Mercenary | E Minor | 9 | 9A | 140 BPM | ||
| Breach Of Faith | Anubis Gate | F Minor | 9 | 4A | 132 BPM | ||
| Mills of the Gods | Ghost Ship Octavius | A♭ Major | 10 | 4B | 150 BPM | ||
| Out of Nowhere | Shadow Gallery | A Minor | 9 | 8A | 160 BPM | ||
| Abyss | Circus Maximus | D Major | 10 | 10B | 92 BPM | ||
| Spirit Starcruiser | Pagan's Mind | D Major | 9 | 10B | 170 BPM | ||
| Holes In The Sky | Vanden Plas | A♭ Major | 9 | 4B | 101 BPM | ||
| All A Man Can Do | Beyond the Bridge | D♭ Minor | 7 | 12A | 156 BPM | ||
| Vision 13teen * Stone Roses Edge | Vanden Plas | A♭ Major | 9 | 4B | 150 BPM | ||
| Phenomenon | Threshold | D♭ Major | 9 | 3B | 146 BPM | ||
| Move On Through | Seventh Wonder | F Minor | 10 | 4A | 125 BPM | ||
| Morphogenesis | Scar Symmetry | D Minor | 9 | 7A | 120 BPM | ||
| La Muerta | Subsignal | A♭ Minor | 9 | 1A | 135 BPM | ||
| Breathless | Triosphere | E♭ Minor | 9 | 2A | 75 BPM | ||
| Mislead | James Labrie | D♭ Minor | 10 | 12A | 100 BPM | ||
| Alive | Circus Maximus | E Minor | 10 | 9A | 140 BPM | ||
| Don't Tread on Me | Gus G. | F Major | 10 | 7B | 180 BPM | ||
| Maze | Black Fate | B♭ Major | 9 | 6B | 196 BPM | ||
| Watchtower on the Moon | Threshold | D♭ Minor | 9 | 12A | 160 BPM | ||
| 1985 | Haken | F♯ Minor | 9 | 11A | 142 BPM | ||
| Hellfire | Beyond Twilight | G Major | 5 | 9B | 110 BPM | ||
| Someone Else's Problem | Redemption | A Minor | 9 | 8A | 150 BPM |