Hridaynath Mangeshkar's ' "Manasicha Chitrakar To" was released on its scheduled release date, December 1, 1960. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Vasant Prabhu's "Kanyadan (Original Motion Picture Soundtrack)" album is number 2 out of 6. On top of that, India appears to be the country where this track was created. The popularity of Manasicha Chitrakar To is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Manasicha Chitrakar To by Hridaynath Mangeshkar to be Presto (very, very fast) because the track has a tempo of 198 BPM, a half-time of 99BPM, and a double-time of 396 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Shoor Amhi Sardar | Hridaynath Mangeshkar | B♭ Major | 3 | 6B | 112 BPM | ||
| Mala Pariche Pankh Milale | Anuradha Paudwal | F Major | 7 | 7B | 134 BPM | ||
| Jeevala Jeevanch Daan | Sonu Nigam, Anwar Jaani | A Major | 7 | 11B | 150 BPM | ||
| Hi Vaat Door Jate | Lata Mangeshkar | D Major | 2 | 10B | 79 BPM | ||
| Tujhe Ni Majhe Nate Kay | Sandeep Khare, Salil Kulkarni | A♭ Minor | 3 | 1A | 135 BPM | ||
| Udto Dola Bai Dola | Prahlad Shinde | C Minor | 2 | 5A | 130 BPM | ||
| Lagi Kalejva Katar | Jitendra Abhisheki | F Major | 3 | 7B | 143 BPM | ||
| Tejonidhi Lohagol | Shankar Mahadevan | A Major | 4 | 11B | 111 BPM | ||
| He Shyamsundar | Kishori Amonkar | E♭ Major | 5 | 5B | 104 BPM | ||
| Mi Radhika | Arati Ankalikar Tikekar, Tikekar | F Minor | 4 | 4A | 137 BPM | ||
| Sada Mazhe Dola Jado Tujhi Moorti (From "Tukaram") | Ashok Patki, Anirudha Joshi | B Minor | 6 | 10A | 142 BPM | ||
| Shabdavachun Kalale Sare | Mahesh Kale | D Minor | 2 | 7A | 147 BPM | ||
| Shodhisi Manava Rauli Mandiri | Mohammed Rafi | E♭ Minor | 7 | 2A | 93 BPM | ||
| Dhund Ekant Ha | Asha Bhosle, Sudhir Phadke | A♭ Major | 3 | 4B | 111 BPM | ||
| Pandharichi Vaari | Bhimsen Joshi | D♭ Major | 4 | 3B | 82 BPM | ||
| Tula Pahile Mi | Suresh Wadkar, Arati Ankalikar Tikekar, Tikekar | A♭ Major | 3 | 4B | 109 BPM | ||
| Ajuni Rusuni Ahe | Kumar Gandharva | A Minor | 5 | 8A | 79 BPM | ||
| Gela Hari Kunaya Gava | Prahlad Shinde | E♭ Minor | 3 | 2A | 73 BPM | ||
| Navika Re Vara Vahe Re | Suman Kalyanpur | B♭ Major | 3 | 6B | 136 BPM | ||
| Deve Thevile Taise Rahave | Anand Bhate | B Major | 5 | 1B | 97 BPM | ||
| Ye Ga Ramachya Banacha | Hridaynath Mangeshkar | F♯ Minor | 3 | 11A | 80 BPM | ||
| Janu Deha Hi Pandhari | Pralahad Shinde | D♭ Minor | 5 | 12A | 166 BPM | ||
| Sant Bhar Pandharit - 2012 | Mahesh Kale | D Minor | 7 | 7A | 103 BPM | ||
| Ane Sansar Sansar | Hridaynath Mangeshkar | B♭ Major | 2 | 6B | 121 BPM | ||
| Sang Sakhya Re | Sandeep Khare, Salil Kulkarni | F♯ Major | 2 | 2B | 90 BPM |