Max Richter's 'Of Orpheus' had a release date set for November 21, 2025. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Richter's "Hamnet (Original Motion Picture Soundtrack)" album is number 2 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Of Orpheus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Of Orpheus by Max Richter to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Indecision | David Fleming | A♭ Major | 3 | 4B | 189 BPM | ||
| The Consolations of Philosophy | Max Richter | G Major | 1 | 9B | 100 BPM | ||
| Where to Start | Kyle Preston | F Major | 3 | 7B | 56 BPM | ||
| When Do We Leave | David Fleming | C Minor | 3 | 5A | 113 BPM | ||
| Diner | Jeremiah Fraites | E♭ Major | 0 | 5B | 66 BPM | ||
| Departures | David Fleming | C Major | 1 | 8B | 117 BPM | ||
| The Long Walk Suite - Demo Version | Jeremiah Fraites | A Minor | 0 | 8A | 140 BPM | ||
| On the Nature of Daylight | Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | B♭ Minor | 3 | 3A | 65 BPM | ||
| fragment of | Ambre Ciel | G Major | 0 | 9B | 172 BPM | ||
| Raindrop Becoming an Ocean | Bear McCreary | F Minor | 1 | 4A | 139 BPM | ||
| After the Hunt, One | Trent Reznor and Atticus Ross | G Major | 0 | 9B | 138 BPM | ||
| cycle | Ambre Ciel | F Major | 3 | 7B | 81 BPM | ||
| Eternal | Eydís Evensen, Ari Bragi Kárason | F♯ Minor | 4 | 11A | 106 BPM | ||
| Stop The Plane | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| Father's Lap | Jeremiah Fraites | E♭ Major | 1 | 5B | 148 BPM | ||
| The Last Thing | Clinton Shorter | F Major | 0 | 7B | 71 BPM | ||
| Orphans Main Theme - From "Orphans" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | D♭ Minor | 1 | 12A | 82 BPM | ||
| Eye of Mnemosyne: III. Mori, "Memory of the Dead” | Sarah Kirkland Snider, Metropolis Ensemble, Andrew Cyr | F Major | 0 | 7B | 71 BPM | ||
| I’m Glad They Found You | Mark Isham | N/A | N/A | N/A | 0 BPM | ||
| In Churches | Henrik Lindstrand | B♭ Major | 3 | 6B | 102 BPM | ||
| Lord Morpheus Bids You Welcome | David Buckley | F Minor | 4 | 4A | 74 BPM | ||
| Found Memory | Jónsi, Alex Somers | D♭ Major | 0 | 3B | 90 BPM | ||
| Barclay's Theme | Lorne Balfe | A♭ Major | 2 | 4B | 93 BPM | ||
| The Scale of the Human Heart | Bear McCreary, Sparks & Shadows | B♭ Major | 2 | 6B | 111 BPM | ||
| Back on Stage | Siddhartha Khosla | G Minor | 1 | 6A | 108 BPM |