Brian Culbertson's ' "After Hours" was released on its scheduled release date, April 19, 1996. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 13 in After Hours by Brian Culbertson. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of After Hours is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of After Hours by Brian Culbertson is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mary's Song | Jazz Holdouts | G Major | 6 | 9B | 112 BPM | ||
| So Good | Brian Culbertson | D♭ Major | 6 | 3B | 111 BPM | ||
| Warm Passion | André Ward | A Minor | 8 | 8A | 91 BPM | ||
| Riviera | Philippe Saisse | B Minor | 6 | 10A | 74 BPM | ||
| Groove City | LeBron | F Minor | 8 | 4A | 103 BPM | ||
| Now or Never | Darryl Williams, Jonathan Fritzen | F Minor | 7 | 4A | 101 BPM | ||
| Smooth Groove | Nathan Mitchell | F Minor | 6 | 4A | 82 BPM | ||
| Front Street | Andrea Razzauti | G Major | 5 | 9B | 79 BPM | ||
| Now 'Til Forever | Kirk Whalum | D Major | 8 | 10B | 171 BPM | ||
| Nothin' but Groove | Dave Bradshaw Jr. | G Minor | 7 | 6A | 100 BPM | ||
| Second Chances | Jessy J | A♭ Major | 7 | 4B | 104 BPM | ||
| After Sunset | Joe McBride | G Major | 5 | 9B | 88 BPM | ||
| Airborne | Cal Harris Jr. | F Minor | 7 | 4A | 100 BPM | ||
| Deep into It | Larry Carlton | C Major | 7 | 8B | 90 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| Toi et Moi (You & Me) | Brian Culbertson | E Minor | 5 | 9A | 174 BPM | ||
| Full Bloom | Kayla Waters | B♭ Minor | 7 | 3A | 108 BPM | ||
| Rainy Sunday (feat. Paul Jackson Jr.) | Ben Tankard, Paul Jackson, Jr. | D♭ Major | 7 | 3B | 88 BPM | ||
| Swing Easy | JJ Sansaverino | G Major | 7 | 9B | 94 BPM | ||
| Can You Feel It | Nick Colionne | F Minor | 8 | 4A | 115 BPM | ||
| Morning Breeze | Jazz Holdouts | C Major | 6 | 8B | 98 BPM | ||
| Footprints | Cindy Bradley | B♭ Minor | 7 | 3A | 106 BPM | ||
| Walk on By | Bob Baldwin | F Major | 6 | 7B | 91 BPM | ||
| the Cool Down | Soul Ballet | C Major | 6 | 8B | 108 BPM | ||
| Off The Hook, Again | Roger Smith | B♭ Major | 7 | 6B | 105 BPM |