Italian Street Song (From "Naughty Marietta") by Victor Herbert, Rida Johnson Young, Jeanette MacDonald, Maximillian Pilzer Song Details

Victor Herbert, Rida Johnson Young, Jeanette MacDonald, Maximillian Pilzer's ' "Italian Street Song (From "Naughty Marietta")" was released on its scheduled release date, November 12, 1991. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Italian Street Song (From "Naughty Marietta")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "San Francisco". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Italian Street Song (From "Naughty Marietta") is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With Italian Street Song (From "Naughty Marietta") by Victor Herbert, Rida Johnson Young, Jeanette MacDonald, Maximillian Pilzer having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -12.129 dB
Acousticness: 95%
Danceability: 48%
Energy: 19%
Instrumentalness: 0%
Liveness: 17%
Loudness: 80%
Speechiness: 4%
Valence: 49%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Peaches & Cream	John Philip Sousa, Cincinnati Pops Orchestra, Erich Kunzel	E♭ Major	0	5B	99 BPM
Meditative Flow	Rylandiaa	G Major	2	9B	136 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Giselle - Act 1: No. 3 Loys seul - Entrée de Giselle	Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari	F Major	0	7B	176 BPM
Gaite Parisienne (after J. Offenbach): 23. Barcarolle	Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra	D Major	0	10B	113 BPM
Raymonda, Act I: Introduction (Moderato poco piu mosso)	Alexander Glazunov, Kivov Orchestra, Viktor Fedotov	C Minor	1	5A	169 BPM
Nielsen : Little Suite Op.1 - II Intermezzo : Allegro moderato	Carl Nielsen, The Helsinki Strings, Csaba & Gèza Szilvay	B Minor	0	10A	70 BPM
I. Cinderella's Dreams	Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar	C Major	1	8B	82 BPM
Cello Concerto No. 1 in D Major, Op. 8: 2. Andante - Scherzo - Andante	Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	74 BPM
Oberon, J.306: Ouvertüre	Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík	D Major	1	10B	131 BPM
La coquette. Valse brillante	Victor Herbert, Philip Martin	A♭ Major	1	4B	66 BPM
The Red Sombrero	Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson	G Major	2	9B	111 BPM
Scènes de ballet, Op. 52: II. Marionnettes	Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov	D Major	0	10B	69 BPM
Sylvia: Act I: Prelude	Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia	C Major	0	8B	61 BPM
Perpetuum mobile - Musical Joke Op. 257	Johann Strauss II, Hallé, Bramwell Tovey	E♭ Major	1	5B	149 BPM
Irmelin Prelude	Frederick Delius, London Symphony Orchestra, Sir John Barbirolli	F♯ Major	0	2B	96 BPM
Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene)	Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto	C Major	0	8B	108 BPM
Fortune Telling (After G. Bizet)	Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar	B♭ Minor	1	3A	81 BPM
March of the Toys (aus "Babes in Toyland")	Victor Herbert, Royal Swedish Airforce Band, Jerker Johansson	F Minor	6	4A	123 BPM
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet	Sergei Prokofiev, The Cleveland Orchestra, Lorin Maazel	F Major	0	7B	83 BPM
Callirhoé, suite de ballet: IV. Pas des cymbales	Cécile Chaminade, Orchestre national de Metz Grand Est, David Reiland	G Major	1	9B	134 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Shattered Echoes	Orithia	D Major	6	10B	98 BPM
Westminster Waltz	Robert Farnon, Vernon Handley, BBC Concert Orchestra, Martin Loveday	D Major	1	10B	174 BPM
Delius / Arr. Fenby: Koanga, Act II: La Calinda	Frederick Delius, Sir John Barbirolli, Hallé	E Minor	4	9A	116 BPM