"Symphony No. 6 in A Minor: II. Andante Moderato" by Gustav Mahler, Valery Gergiev, London Symphony Orchestra had its release date on April 7, 2008. This song appears to be safe for all ages as it is not explicit. The track order of this song in Gustav Mahler, London Symphony Orchestra, Valery Gergiev's "Mahler: Symphony No. 6" album is number 2 out of 4. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Symphony No. 6 in A Minor: II. Andante Moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 6 in A Minor: II. Andante Moderato by Gustav Mahler, Valery Gergiev, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fedora, Act II: Intermezzo | Umberto Giordano, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 128 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: IV. Gloria Patri Domino | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 5 | 5B | 152 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein | D♭ Major | 0 | 3B | 86 BPM | ||
| Symphony No. 8, Zweiter Teil: XIII. Neige, neige, du Ohnegleiche | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, MDR Leipzig Radio Chorus, Susan Bullock, Knaben des Staats- und Domchors Berlin, Anna Prohaska | B♭ Major | 1 | 6B | 79 BPM | ||
| Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
| Piano Concerto in G Major, M. 83: III. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
| Manon Lescaut, Act III: Intermezzo | Giacomo Puccini, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 87 BPM | ||
| Symphony No. 5, Op. 107, "Reformation": III. Andante | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | G Minor | 0 | 6A | 72 BPM | ||
| Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Wieder sehr breit | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Major | 2 | 3B | 66 BPM | ||
| Symphony No.2 in C minor - "Resurrection" / 5th Movement: Im Tempo des Scherzos. Wild herausfahrend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | C Major | 1 | 8B | 97 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: IV. Allegro - Allegro ma non troppo | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 97 BPM | ||
| Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
| Pelléas et Mélisande, Suite, Op. 46: I. At the Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | ||
| L'Arlésienne Suite No. 1, WD 40: II. Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
| Macbeth, Act III: Ballet Music | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 102 BPM | ||
| La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 2 | 12B | 84 BPM | ||
| Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelík | D Major | 1 | 10B | 131 BPM | ||
| Lyric Pieces, Book 5, Op. 54: No. 4, Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM | ||
| Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, François-René Duchâble, Jean-Philippe Collard, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": I. Veni, Creator Spiritus | Gustav Mahler, Warsaw Philharmonic Choir, Polish Radio Choir, Cardinal Stefan Wyszynski University Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 3 | 4B | 125 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: IV. Allegretto | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | C Minor | 0 | 5A | 121 BPM |