Anuradha Paudwal's 'Kitne Saawan Baras Gaye - 2' had a release date set for April 8, 1988. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Kitne Saawan Baras Gaye - 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 6 in Bees Saal Baad by Laxmikant–Pyarelal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kitne Saawan Baras Gaye - 2's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Kitne Saawan Baras Gaye - 2 by Anuradha Paudwal is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yaad Meri Aayegi | Anu Malik, Asha Bhosle | B Minor | 6 | 10A | 128 BPM | ||
| Bhool To Maa Se (Sad) | Udit Narayan | A♭ Major | 6 | 4B | 99 BPM | ||
| Ankhon Ne Mohabbat Mein | Mahendra Kapoor, Laxmikant–Pyarelal | B♭ Major | 5 | 6B | 143 BPM | ||
| Naukri Sau Ki Hazar Ki | Kishore Kumar, Anuradha Paudwal, Laxmikant–Pyarelal | B♭ Minor | 7 | 3A | 97 BPM | ||
| Rangilla Hoon Main Dil Ka With Dialogue | Shailendra Singh, Kalyanji-Anandji | B Minor | 8 | 10A | 110 BPM | ||
| Dilruba Dilruba | Hemlata, Ravindra Jain | A♭ Major | 4 | 4B | 96 BPM | ||
| Is Bhari Duniya Mein - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | G Minor | 4 | 6A | 146 BPM | ||
| Teri Palkon Ke Tale | Jaspal Singh | A♭ Major | 5 | 4B | 85 BPM | ||
| Ae Dil Kise Sunaoon | Suraiya | A Major | 4 | 11B | 61 BPM | ||
| Tum Jo Mile Humko | M. G. Sreekumar, Asha Bhosle | A♭ Major | 6 | 4B | 94 BPM | ||
| Commentary Tabussum And Yari Hai Imaan Mera - Zanjeer | Tabassum, Manna Dey, Kalyanji-Anandji | A♭ Major | 7 | 4B | 105 BPM | ||
| Sab Kuch Seekha Humne | Mukesh, Shailendra | A Minor | 7 | 8A | 98 BPM | ||
| Laila Majnu Do Badan Ek Jaan The | Rajkumar Rizvi, Anuradha Paudwal, Preeti Sagar | F Major | 5 | 7B | 151 BPM | ||
| Dheere Dheere Kholungi Main | Alisha Chinai, Shakti Kapoor | G Minor | 8 | 6A | 119 BPM | ||
| Tumko Sanam Pukar Ke | Sharda | B♭ Minor | 3 | 3A | 93 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Dil Dil Hai Koi Shisha Toh Nahi | Anu Malik, Asha Bhosle, Shabbir Kumar | G Minor | 6 | 6A | 113 BPM | ||
| Tum Din Ko Din Kah Do | Udit Narayan, Anuradha Paudwal | D Major | 6 | 10B | 149 BPM | ||
| Raha Jo Dil Mein | Roop Kumar Rathod, Laxmikant–Pyarelal | G Minor | 9 | 6A | 95 BPM | ||
| Maine Apna Sanam Tujhe (From "Maa Beti") | Suresh Wadkar, Anuradha Paudwal | G Major | 6 | 9B | 151 BPM | ||
| Dekhta Hai Kya Paas Mere Aa | Asha Bhosle | F♯ Minor | 9 | 11A | 107 BPM | ||
| Kamaal Ho Gaya | Asha Bhosle | A♭ Major | 6 | 4B | 114 BPM | ||
| Dard To Rukne Ka Ab Naam Nahin Leta | Bhupinder Singh | E Minor | 6 | 9A | 105 BPM | ||
| Goria Ho Goria | Vani Jairam, K. J. Yesudas | F♯ Minor | 6 | 11A | 104 BPM | ||
| Mat Ro Mata Lal Tere | Manna Dey, S. D. Burman | F Major | 6 | 7B | 104 BPM |