"Signs And Signals" by Brian Tyler had its release date on January 1, 2009. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Signs And Signals's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Final Destination (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. In terms of popularity, Signs And Signals is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Signs And Signals by Brian Tyler having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ride to Glory | Epic Score | A♭ Major | 7 | 4B | 78 BPM | ||
| Centurion | Ilan Eshkeri | D♭ Minor | 1 | 12A | 86 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Now You See Me | Brian Tyler | D♭ Major | 5 | 3B | 101 BPM | ||
| Cracking the Code | Matthew Margeson, Dominic Lewis | C Major | 3 | 8B | 149 BPM | ||
| Secret Invasion Main Theme (EPIC VERSION) | Ayhan Music | B♭ Minor | 3 | 3A | 105 BPM | ||
| Recognizer - From "TRON: Legacy"/Score | Daft Punk | D♭ Major | 5 | 3B | 104 BPM | ||
| Inner Demon | Nick Arundel | D♭ Major | 1 | 3B | 119 BPM | ||
| Into the Furnace | Sarah Schachner | D Minor | 5 | 7A | 100 BPM | ||
| Assassin's Creed III Main Theme | Lorne Balfe, Assassin's Creed | D Minor | 9 | 7A | 135 BPM | ||
| Driving with the Top Down - From "Iron Man" | London Music Works, The City of Prague Philharmonic Orchestra | G Minor | 7 | 6A | 110 BPM | ||
| The King of the Golden Hall | Howard Shore | E Minor | 1 | 9A | 139 BPM | ||
| Run | Benjamin Wallfisch | D♭ Major | 6 | 3B | 172 BPM | ||
| Into the Starfield (Main Theme) | Inon Zur | F♯ Minor | 3 | 11A | 80 BPM | ||
| None Shall Live | Two Steps from Hell, Thomas Bergersen | D Minor | 9 | 7A | 110 BPM | ||
| Main Title - Young Peter | James Horner | G Minor | 1 | 6A | 141 BPM | ||
| Arthropodie | Christophe Beck | G Major | 3 | 9B | 170 BPM | ||
| Nate's Theme | Greg Edmonson | G Major | 3 | 9B | 110 BPM | ||
| The Brotherhood Escapes | Jesper Kyd, Assassin's Creed | D Major | 10 | 10B | 120 BPM | ||
| Main on End | Alan Silvestri | G Major | 5 | 9B | 170 BPM | ||
| Wake Island | Johan Söderqvist, Patrik Andrén | D♭ Major | 8 | 3B | 131 BPM | ||
| It's Our Fight - From "Transformers: Dark of the Moon" | London Music Works | C Minor | 5 | 5A | 96 BPM | ||
| Event Horizon | Hi-Finesse | G Minor | 7 | 6A | 156 BPM | ||
| Rifleman Cooper | Stephen Barton | A Minor | 6 | 8A | 118 BPM | ||
| The Ring Goes South | Howard Shore | A Minor | 1 | 8A | 80 BPM |