On March 17, 2021, the song "Tai Se Sawal Part 8" was released by Ram Mehar Randa, Sajjan Kumar, Krishna Sharma. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rande Khilawe Chapar Faad Ke". In this album, this song's track order is #8. Furthermore, we believe that the track originated from India. Based on our statistics, Tai Se Sawal Part 8's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Tai Se Sawal Part 8 by Ram Mehar Randa, Sajjan Kumar, Krishna Sharma having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laje Ranga Holo Kone Bou Go | Aarti Mukherji | F Major | 3 | 7B | 172 BPM | ||
| Mhara Hariya Ban Ra Suvtiya | prakashdasswamiofficial | F♯ Major | 8 | 2B | 144 BPM | ||
| Jin Par Kirpa Ram Kare Vo Paththar Bhi Tir Jate Hain | Ravindra Jain | F♯ Minor | 6 | 11A | 155 BPM | ||
| Halwa Kha Part 8 | Ram Mehar Randa, Sajjan Kumar, Pasi Nayyar, Sunita Sharma | A Major | 8 | 11B | 170 BPM | ||
| Hon Laga Mahghor Sangram | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | A Major | 7 | 11B | 160 BPM | ||
| Meri Baat Sunle Part 3 | Ram Mehar Randa | A♭ Major | 7 | 4B | 68 BPM | ||
| Bole So Nihal Sat Sri Akaal | Bhai Harbans Singh Ji | A Minor | 4 | 8A | 112 BPM | ||
| Tote Bhal Paiba | Jaykisan Tandi | B Minor | 8 | 10A | 81 BPM | ||
| Aay Gayyil Neta Ji | Dinesh Lal Yadav, Khusboo Raaj | A♭ Minor | 7 | 1A | 76 BPM | ||
| Singara Velanukku | Shakthi Shanmuga Raja | G Major | 5 | 9B | 109 BPM | ||
| Tu Cheez Lajwab | Raju Punjabi | B♭ Minor | 8 | 3A | 125 BPM | ||
| Ya Ya Jejuri Vate | Santosh Nayak, Vishwanath Chinchay | B♭ Major | 7 | 6B | 89 BPM | ||
| Nigar Jan Ashiq Zarat | Mir Maftoon | B♭ Major | 8 | 6B | 106 BPM | ||
| Apon Manush Chena Dai Re | Sukumar Baul | A♭ Major | 6 | 4B | 146 BPM | ||
| Pappu Ke Papa Part 7 | Ram Mehar Randa, Sajjan Kumar, Pasi Nayyar, Sunita Sharma | D Major | 2 | 10B | 79 BPM | ||
| Dhari Ramchandrache Paay (Turewale) | Shahir Ramchandra Ghanekar | E♭ Minor | 7 | 2A | 98 BPM | ||
| Rajsa Javli Jara Basa | Lata Mangeshkar | B♭ Minor | 5 | 3A | 111 BPM | ||
| Chharhian Nu Mauj Barhi | Karamjit Singh Dhuri | B♭ Major | 6 | 6B | 67 BPM | ||
| Meri Hoyi Kichayi Part 7 | Ram Mehar Randa | F♯ Minor | 6 | 11A | 98 BPM | ||
| Bali Sa Tu Lage Part 2 | Ram Mehar Randa, Sajjan Kumar, Pasi Nayyar, Sunita Sharma | F♯ Minor | 6 | 11A | 183 BPM | ||
| Late J.F. Olasimbo | Yusufu Olatunji | D♭ Major | 4 | 3B | 104 BPM | ||
| Bhar De Jholi Khada Mein | Ramavtar Sharma | F♯ Major | 9 | 2B | 119 BPM | ||
| Liya Sass Chan Ka | Satpal Dosa, Manpal | E Major | 7 | 12B | 80 BPM | ||
| Botal Liyandi Ni | Balkar Ankhila, Manjinder Gulshan | B♭ Major | 8 | 6B | 99 BPM | ||
| Tahi Mola Baiha Banaye | Gofelal Gendle, Savitri Gendle | C Major | 8 | 8B | 120 BPM |