"Die Blume von Hawaii" by Rudolf Schock had its release date on January 1, 1985. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Rudolf Schock und seine Lieder". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. The popularity of Die Blume von Hawaii is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Die Blume von Hawaii by Rudolf Schock having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rosalie | Freddy | G Major | 5 | 9B | 88 BPM | ||
| Ombra mai fu (from Xerxes) | Fritz Wunderlich, Radio Sinfonie-Orchester Stuttgart, Alfons Rischner | G Major | 3 | 9B | 73 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Der kleine Taumann heiss ich" [The Dew Fairy] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Kaiser Walzer | Vienna Volksoper Orchestra | C Major | 2 | 8B | 186 BPM | ||
| Nur nicht aus Liebe weinen - Alternative Aufnahme | Zarah Leander | G Minor | 2 | 6A | 94 BPM | ||
| Auf dem Berge Ida | Rudolf Schock | B♭ Major | 2 | 6B | 127 BPM | ||
| Kufsteiner Lied | Stimmen der Berge | C Major | 6 | 8B | 176 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Alle sind wir Sünder (Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | F Major | 4 | 7B | 78 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Aus ist's mit der Liebe - Ganz ohne weiber geht die Chose nicht (Boni - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonieorchester Graunke | C Major | 3 | 8B | 107 BPM | ||
| Die lustige Witwe: Lippen schweigen | Franz Lehár, Rudolf Schock, Margit Schramm, Robert Stolz | G Major | 1 | 9B | 75 BPM | ||
| Deinen Namen, den hab' ich vergessen | René Carol | G Minor | 2 | 6A | 94 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| The Gypsy Princess (Die Csárdásfürstin): "Ganz ohne Weiber geht die Chose nicht" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Grosses Operetten Orchester, Franz Marszalek | C Major | 5 | 8B | 115 BPM | ||
| Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
| Die Juliska Aus Budapest (aus Maske In Blau) | Anneliese Rothenberger | A Minor | 5 | 8A | 81 BPM | ||
| Weber: Der Freischütz, Op. 77, J. 277, Act 2 Scene 1: No. 7, Ariette, "Kommt ein schlanker Bursch gegangen" (Ännchen) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | D♭ Major | 2 | 3B | 74 BPM | ||
| My Fair Lady: Ich hätt' getanzt heut' Nacht | Friedrich Schoenfelder, Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Sonja Ziemann, Diverse Saenger Und Saengerinnen, Karin Huebner | C Major | 2 | 8B | 78 BPM | ||
| Gefangenen Chor Nabucco | Angela Wiedl, R. Wiedl, G. Humphrey, M. Schmidt, B. Sauter | D♭ Major | 3 | 3B | 92 BPM | ||
| Boccaccio: Hab ich nur deine Liebe | Franz von Suppé, Renate Holm, Rudolf Schock, Frank Fox | E Major | 5 | 12B | 126 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Abends will ich schlafen gehn" [Hänsel, Gretel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | G Major | 0 | 9B | 86 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| Ich bin nur ein armer Wandergesell | Eduard Künneke, Rudolf Schock, Werner Schmidt-Boelcke | C Major | 1 | 8B | 170 BPM | ||
| Die Zauberflöte, K. 620, Act I: Duett: Bei Mannern, welche Liebe fuhlen (Pamina, Papageno) | Wolfgang Amadeus Mozart, Hermann Thimig, Kurt Lieck, Josef Greindl, Rudolf Schock, Hans Hotter, Peter Esser, Horst Otto Rainer, Kathe Moller-Siepermann, Wilma Lipp, Teresa Stich-Randall, Annelies Kupper, Elisabeth Lindermeier, Hanna Ludwig, Hilla Oppel, Gisela Litz, Kristina Sert, Erich Kunz, Kurt Marschner, Wilhelm Lückert, Walter Kreppel, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Joseph Keilberth | F Major | 1 | 7B | 69 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM |