Johann Sebastian Bach, Jörgen Van Rijen, Camerata RCO's ' "Keyboard Concerto in D Major, BWV 972 (After A. Vivaldi's RV 230) [Arr. J. van Rijen]: III. Allegro" was released on its scheduled release date, November 2, 2018. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Keyboard Concerto in D Major, BWV 972 (After A. Vivaldi's RV 230) [Arr. J. van Rijen]: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 14 in Fratres by Jörgen Van Rijen, Camerata RCO, Arvo Pärt. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Keyboard Concerto in D Major, BWV 972 (After A. Vivaldi's RV 230) [Arr. J. van Rijen]: III. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Keyboard Concerto in D Major, BWV 972 (After A. Vivaldi's RV 230) [Arr. J. van Rijen]: III. Allegro by Johann Sebastian Bach, Jörgen Van Rijen, Camerata RCO is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
| Keyboard Suite No. 1 in B-Flat Major, HWV 434: IV. Minuet (Arr. W. Kempff for Piano) | George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
| Violin Concerto in C Major, Hob. VIIa:1: II. Adagio | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | F Major | 1 | 7B | 61 BPM | ||
| Concerto for two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Leila Schayegh, Anaïs Chen, Jörg Halubek, Il Gusto Barocco | D Minor | 1 | 7A | 104 BPM | ||
| Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | ||
| Concerto in G Minor for 2 Cellos, Strings and Basso continuo, RV 531: I. Allegro | Antonio Vivaldi, Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman, Jonathan Manson | F♯ Minor | 2 | 11A | 121 BPM | ||
| Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Melodie" (Arr. I. Friedman) | Christoph Willibald Gluck, Yoonie Han | D Minor | 0 | 7A | 77 BPM | ||
| Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
| Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XIV. Allegretto piacevole | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 0 | 9B | 128 BPM | ||
| Weinen, Klagen, Sorgen, Zagen, BWV 12: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 4 | 10B | 113 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Keyboard Concerto No. 2 in E Major, BWV 1053: I. ? | Johann Sebastian Bach, Glenn Gould, Columbia Symphony Orchestra, Vladimir Golschmann | D♭ Minor | 4 | 12A | 178 BPM | ||
| Cello Sonata in E Minor, RV 40: III. Largo | Antonio Vivaldi, Jean-Guihen Queyras, Michael Behringer, Christoph Dangel | F♯ Major | 0 | 2B | 138 BPM | ||
| Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: II. Adagio | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
| Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro) | Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach | E Minor | 1 | 9A | 81 BPM | ||
| Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto | Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer | C Major | 0 | 8B | 74 BPM | ||
| Italian Concerto In F Major BWV 971, Italienisches Konzert, F Dur BWV 971: Allegro | Pieter-Jan Belder, Arts Music Recording, Rotterdam, Johann Sebastian Bach | E♭ Major | 5 | 5B | 95 BPM | ||
| 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | ||
| Suita Lutniowa in A Minor, BWV 997: Gigue | nieznany, Johann Sebastian Bach, Bianka Szalaty | E Minor | 1 | 9A | 190 BPM | ||
| Saint John Passion, BWV 245, Pt. I: "Herr, unser Herrscher" (Chorus) | Johann Sebastian Bach, Monica Huggett, Charles Daniels, Shannon Mercer, Matthew White, Jacques-Olivier Chartier, Tyler Duncan, Joshua Hopkins, Cappella Romana, Portland Baroque Orchestra | F♯ Minor | 3 | 11A | 79 BPM | ||
| The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 72 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| Minuet in G Minor, HWV 434 No. 4 (Transc. W. Kempff) | George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 66 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |