On February 25, 2015, the song "Reliquias Porteñas" was released by Francisco Canaro, Orquesta Francisco Canaro. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Reliquias Porteñas's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Francisco Canaro's "Los 25 Mejores Tangos" album is number 5 out of 25. In terms of popularity, Reliquias Porteñas is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Reliquias Porteñas by Francisco Canaro, Orquesta Francisco Canaro to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bien Porteña | Los Reyes Del Tango | C Major | 5 | 8B | 128 BPM | ||
| El Firulete | Sexteto Mayor | G Major | 4 | 9B | 100 BPM | ||
| Mala Junta | Roberto Alvarez, Estilo Para Bailar | F♯ Minor | 3 | 11A | 117 BPM | ||
| Tu pálida voz | Orquesta Color Tango De Roberto Alvarez | D Minor | 4 | 7A | 182 BPM | ||
| Tigre Viejo | Osvaldo Fresedo | A Minor | 3 | 8A | 122 BPM | ||
| La Cumparsita | Florindo Sassone Y Su Orquesta | G Minor | 2 | 6A | 113 BPM | ||
| Entrador | Alfredo Gobbi | A Minor | 3 | 8A | 122 BPM | ||
| Carnavalito | Lucio Demare y Su Orquesta Típica | B Minor | 3 | 10A | 104 BPM | ||
| Luna de Plata | Orquesta Típica Sans Souci, César Peduzzi | G Major | 4 | 9B | 103 BPM | ||
| Mariana | Ricardo Malerba | A Minor | 3 | 8A | 122 BPM | ||
| Buscandote | Orquesta Typica Osvaldo Fresedo, Ricardo Ruiz | D Major | 1 | 10B | 122 BPM | ||
| La Piba De Los Jazmines - Versión Alternativa | Ricardo Malerba | A Minor | 3 | 8A | 122 BPM | ||
| Sinfonía de Arrabal | Edgardo Donato | G Major | 3 | 9B | 119 BPM | ||
| El Abrojo | Orquesta Carlos di Sarli | A Major | 4 | 11B | 117 BPM | ||
| Mano Blanca | Angel D'Agostino Y Su Orquesta Típica | C Minor | 2 | 5A | 122 BPM | ||
| No Te Apures Cara Blanca | Lucio Demare, Juan Carlos Miranda | D Major | 2 | 10B | 126 BPM | ||
| Lágrimas Y Sonrisas | Alfredo Gobbi | A Minor | 3 | 8A | 122 BPM | ||
| Si nos queremos todavia | Orquesta Carlos di Sarli, Jorge Durán | C Minor | 3 | 5A | 126 BPM | ||
| Bahía Blanca | Orquesta Carlos di Sarli | F♯ Minor | 4 | 11A | 117 BPM | ||
| Milonga de Mis Amores | Color Tango | A Major | 5 | 11B | 113 BPM | ||
| Las vueltas de la vida | Floreal Ruiz, Francisco Canaro, Manuel Romero, Orquesta de Francisco Rotundo | E Minor | 4 | 9A | 122 BPM | ||
| Milonga vieja milonga | Orquesta tipica de Juan D`Arienzo | F Minor | 4 | 4A | 101 BPM | ||
| Carrillón de la Merced | Orquesta Tipica Victor | B Minor | 2 | 10A | 114 BPM | ||
| Tristezas de la Calle Corrientes | Rodolfo Biagi, Miguel Caló | D Major | 3 | 10B | 128 BPM | ||
| Por la vuelta | Jose Basso, Floreal Ruiz | E Major | 4 | 12B | 99 BPM |