Rajendra Jain's ' "Jai Durge Durgati Pariharini" was released on its scheduled release date, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 7 in Bhakti Argha by Rajendra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Jai Durge Durgati Pariharini is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jai Durge Durgati Pariharini by Rajendra Jain is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tumse Laagi Lagan | Rajendra Jain | D Minor | 6 | 7A | 115 BPM | ||
| Sri Saraswati Gayatri Mantra | Bangalore Sisters | E♭ Minor | 7 | 2A | 132 BPM | ||
| Sishur Saral Haasi | Srikanta Acharya | C Major | 4 | 8B | 98 BPM | ||
| Tu Radhe Radhe Gaale | Rajesh Goswami | D♭ Minor | 5 | 12A | 120 BPM | ||
| Kavlya Pananchi Nagin | Shakuntala Jadhav | E♭ Minor | 3 | 2A | 214 BPM | ||
| Dutta Majhi Mata | Swapnil Bandodkar, Madhuri Karmarkar | F♯ Minor | 6 | 11A | 155 BPM | ||
| Man Re Hari Bhaji | Susmita Das | C Major | 6 | 8B | 149 BPM | ||
| Utha Utha Swami Samarth | Mahendra Warekar, Ravindra Sathe | A♭ Major | 7 | 4B | 90 BPM | ||
| Anandacha Divas Ugavla | Mahendra Warekar, Ravindra Sathe | F♯ Major | 7 | 2B | 101 BPM | ||
| Banirupe Rohiacho | Narendrapur University Artist, Atanu Sanyal | D Major | 7 | 10B | 99 BPM | ||
| Madhuban Ke Mandiron Mein | Rajendra Jain, Jaya Sinha | G Major | 7 | 9B | 78 BPM | ||
| Patni Praapti Mantra | Jitender Singh | D♭ Major | 5 | 3B | 110 BPM | ||
| Shankar Maharaja Mazi Nauka Kinaryala Lava | Mahesh Hiremath | C Major | 5 | 8B | 92 BPM | ||
| Meri Bhawna | Rajendra Jain, Tripti Shkya, Meena | B Minor | 6 | 10A | 144 BPM | ||
| Sakhi Ri Mohe Laaj Bairan Bhayi | Susmita Das | C Major | 6 | 8B | 148 BPM | ||
| Moraliyo | Kanu Patel | B♭ Minor | 5 | 3A | 61 BPM | ||
| Otho Go Bharat Lakhi | Antara Chowdhury, Various Child | E Minor | 4 | 9A | 136 BPM | ||
| Mera Aapki Krapa Se Sab Kaam | Paras Jain | E♭ Major | 8 | 5B | 82 BPM | ||
| kshamaa Praarthnaa | Dinesh Kumar Dube | C Major | 6 | 8B | 122 BPM | ||
| महालक्ष्मी आरती | Mata Laxmi Aarti in Hindi | Hari cassettes | B♭ Major | 4 | 6B | 153 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM | ||
| Swami Haripath Amrutacha Paat | Mahendra Warekar, Ravindra Sathe | A Major | 4 | 11B | 88 BPM | ||
| Pragat Thaya Prabhu Chhapaiya Gam Re | Hasmukh Patadiya | G Major | 6 | 9B | 114 BPM | ||
| Shri Dutta Aarti | Ravindra Sathe | D Major | 5 | 10B | 109 BPM |