Paul Gurevich's ' "Ungarischer Tanz" was released on its scheduled release date, November 1, 2009. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Ungarischer Tanz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Salonmusik Aus Dem Wiener Kaffeehaus - Vienna Coffeehouse Music". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Ungarischer Tanz's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ungarischer Tanz by Paul Gurevich having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chopin: Waltz No. 19 in A Minor, Op. Posth. | Frédéric Chopin, Cyprien Katsaris | A Minor | 1 | 8A | 75 BPM | ||
| 21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor [Original in F-Sharp Minor] | Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 149 BPM | ||
| Violin Concerto: Ia. Prelude, Pt. 1 (Live) | Maya Badian, Romanian National Radio Orchestra, Florin Paul, Ludovic Bács | D♭ Major | 4 | 3B | 91 BPM | ||
| Mr. Sandman | Prague Cello Quartet | G Major | 2 | 9B | 130 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
| Schellenberger Walzer | Vilsleit'nmusi | D Major | 2 | 10B | 136 BPM | ||
| Tico-Tico | Milan Rericha, Marc Reift Orchestra | G Major | 8 | 9B | 127 BPM | ||
| Que rest t-il de nos amours | Die 12 Cellisten der Berliner Philharmoniker | C Major | 1 | 8B | 177 BPM | ||
| Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
| Immer unterwegs | Peter Mazan | G Major | 2 | 9B | 171 BPM | ||
| Csardas von Monti | Eduard Larysz mit seinem Orchester | D Minor | 4 | 7A | 83 BPM | ||
| Paris Canaille - Instrumental | Lorenzo Pego | D Major | 5 | 10B | 89 BPM | ||
| Die Csardasfurstin (The Gypsy Princess): Act II: Entr'akt | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | F Major | 3 | 7B | 116 BPM | ||
| Pathétique, Op. 74: I. Adagio-Allegro non troppo | Thomas Gansch, Herbert Pixner, Manu Delago, Lukas Kranzelbinder, radio.string.quartett | G Major | 3 | 9B | 66 BPM | ||
| Blue Tango | Leroy Anderson, WDR Rundfunkorchester Köln, Pinchas Steinberg | D Major | 2 | 10B | 130 BPM | ||
| Waltz In A Minor | Frédéric Chopin, Catherine Manoukian | A Minor | 1 | 8A | 130 BPM | ||
| Im Romanischen Café | Gerhard, Mohr | G Major | 1 | 9B | 88 BPM | ||
| Wer a Geld hat | Die Original Wiener Schrammeln | G Major | 4 | 9B | 92 BPM | ||
| Tritsch -Tratsch Polka | Armonie Symphony Orchestra, Uberto Pieroni | A Major | 6 | 11B | 79 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| (Berlin) Vauxhall Polka (1867) | Hans Christian Lumbye, Tivoli Symphony Orchestra | D Major | 2 | 10B | 95 BPM | ||
| Radetzky March | Johann Strauss | A Major | 5 | 11B | 107 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Alla Turca Jazz, Op. 5b | Fazıl Say | E Minor | 3 | 9A | 168 BPM |