"Hodie Aperuit" by Rosa Lamoreaux had its release date on January 1, 1998. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Hodie Aperuit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rosa Lamoreaux's "Luminous Spirit" album is number 1 out of 14. In terms of popularity, Hodie Aperuit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hodie Aperuit by Rosa Lamoreaux to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Calata Al Española | Joan Ambrosio Dalza, Calliope | E♭ Major | 2 | 5B | 174 BPM | ||
| Fidelis Usque Ad Mortem | Gregorian Chants | A♭ Major | 2 | 4B | 110 BPM | ||
| Ad Te Levavi | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants | A♭ Major | 1 | 4B | 61 BPM | ||
| Spiritual Gregorian Chants Chant Templar Chant Peaceful Monks | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Vos me matastes | Miguel de Fuenllana, Shirley Rumsey | D Minor | 0 | 7A | 112 BPM | ||
| Valley of Seraphic Song | Wonderworker, The Choir of Eparchy of Tripoli | D Major | 0 | 10B | 134 BPM | ||
| Idiómelon from Matins for the Sunday of the Pharisee and the Publican (Arr. I. Arvanitis) | Kassianí, Alexander Lingas, Cappella Romana | F Major | 2 | 7B | 140 BPM | ||
| Asperges me vidi aquam | Ennio Morricone | D Major | 3 | 10B | 106 BPM | ||
| Josquin: Missa Mater Patris - 1a. Kyrie 1 | The Tallis Scholars, Peter Phillips | D Minor | 1 | 7A | 71 BPM | ||
| I' fu' già bianch'uccel | Donato da Cascia, La Reverdie | G Minor | 1 | 6A | 98 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Hymnus: Angularis Fundamentum, Modo IV | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Major | 1 | 12B | 74 BPM | ||
| Auxilium Christianorum | Gregorian Monk, Monks Of The Abbey Of Notre Dame, Cantori Gregoriani, Gregorian Chants | A♭ Major | 1 | 4B | 61 BPM | ||
| Jeremiah Prayer | Pope Gregorius, Ensemble de Venasque | D Major | 1 | 10B | 120 BPM | ||
| La Figlia di Guglielmino | Antonio Cornazzano, Into the Winds | E♭ Major | 0 | 5B | 84 BPM | ||
| Caelestis | The Sacred Choir | E Minor | 0 | 9A | 82 BPM | ||
| Angelus ad Bivium | St. Tikhon's Seminary Choir, Χορός Βατοπαιδινών Πατέρων | D Minor | 1 | 7A | 100 BPM | ||
| Enter by the Narrow Gate | Tapestry Chamber Singers | E Major | 0 | 12B | 167 BPM | ||
| I Love a Piano | Rosa Lamoreaux, Betty Bullock | E♭ Major | 2 | 5B | 89 BPM | ||
| Responsory Gaude Maria | Traditional Song, The Monks of Norcia | D♭ Major | 0 | 3B | 137 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Spiritus Cælestis | Cathedral Choir, The Cathedral Singers | A♭ Major | 1 | 4B | 61 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM | ||
| Antiphona O, spectabiles viri | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 81 BPM | ||
| Embraceable You | Rosa Lamoreaux, Betty Bullock | G Major | 2 | 9B | 72 BPM |