On August 4, 2004, the song "Kajra Banke Basja Shyam" was released by Baba Rasika Pagal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Aakhri Aashiqui by Baba Rasika Pagal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Kajra Banke Basja Shyam's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kajra Banke Basja Shyam by Baba Rasika Pagal is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kanha O Kanha | Navin Tripathi, Kavita Raam | E Major | 8 | 12B | 87 BPM | ||
| Are Dwarpalo Kanheya Se Keh Do | Naresh Narsi, Chanpreet, Minakshi Panchal | D Minor | 9 | 7A | 142 BPM | ||
| Shyam Baba Ke Darshan Kare Jayenge | Sanju Sharma | F Major | 8 | 7B | 95 BPM | ||
| Pat Kholo Bageshwar Maharaj | Khanij Dev Chouhan | B Minor | 8 | 10A | 93 BPM | ||
| Jwala Mai | Abhishek Soni | E♭ Major | 9 | 5B | 84 BPM | ||
| Shri Radhey Bajaye Nupur | Baba Rasika Pagal | E Major | 8 | 12B | 123 BPM | ||
| Sharda bhawani hai naam | Rakesh Tiwari | E♭ Major | 5 | 5B | 126 BPM | ||
| Tere Hatha Da Khidona | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| Hum Tumrahe Ho Gaye | Reshmi Sharma | F♯ Minor | 7 | 11A | 126 BPM | ||
| Fulla Di Varkha Laai | Karnail Rana | A♭ Major | 9 | 4B | 168 BPM | ||
| Sajh Dajh Baite Bherunath | Vaibhav Bagmar Balotra | A♭ Major | 8 | 4B | 140 BPM | ||
| Aasro Balaji Manne Tharo | Ramkumar Lakha | A♭ Major | 7 | 4B | 165 BPM | ||
| Jahan Barsana Hai | Sadhvi Purnima Ji | D♭ Major | 8 | 3B | 149 BPM | ||
| Bhagwat Bhagwan Ki Aarti | Devendra Pathak | A♭ Major | 8 | 4B | 82 BPM | ||
| MERI CHOTI SI HAI NAAV TERE JADU BHARE PAAV | Bhagwat Suthar | F Major | 6 | 7B | 89 BPM | ||
| Sai Ji Teri Badi Kripa Hai | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| Nahin Chahiye Dil Dukhana Kisika | Parmod Kumar | B Major | 7 | 1B | 84 BPM | ||
| Hare Ke Sahare | Adhishta Anushka | F Major | 4 | 7B | 120 BPM | ||
| Hire Moti Se Najar Utar Du Bhajan | Kanhiya Mittal | A♭ Major | 6 | 4B | 126 BPM | ||
| Main Tera Ladla | Sanjeev Sharma | B Minor | 7 | 10A | 142 BPM | ||
| Mhare Sir Par Hai Baba Ji Ro Hath | Sanju Sharma | C Major | 8 | 8B | 120 BPM | ||
| Mithe Ras Se Bharyodi Radharani | Radha Krishnaji Maharaj | D♭ Major | 6 | 3B | 137 BPM | ||
| Ujjain Sarkar | Prakash Thakur | B♭ Major | 9 | 6B | 90 BPM | ||
| Dena Hai To Dijiye Janam Janam Ka Sath | Naresh Raina | G Major | 8 | 9B | 140 BPM | ||
| Main Hoon Sharan Mein Teri | Ram Kumar Lakkha | B Minor | 9 | 10A | 91 BPM |