Infinite Scale's 'Drive' had a release date set for November 18, 2020. This song is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. Because this song is the only song in Drive and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Drive is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Drive by Infinite Scale is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Opal | Ishq | D♭ Minor | 2 | 12A | 72 BPM | ||
| Slow Breathing | Aune Mira | E♭ Minor | 4 | 2A | 99 BPM | ||
| Sleep 2 (Ocean) | Tom Middleton | A Major | 1 | 11B | 49 BPM | ||
| Black White Felt | Roedelius, Arnold Kasar | G Major | 1 | 9B | 92 BPM | ||
| A Brief Walk in the Sea | Near The Parenthesis | A Major | 2 | 11B | 138 BPM | ||
| Liquid Shock | Infinite Scale | F♯ Major | 4 | 2B | 96 BPM | ||
| Small Things Matter | AES Dana, MIKTEK | D♭ Major | 1 | 3B | 77 BPM | ||
| Heaven | Bregereth | D Major | 2 | 10B | 130 BPM | ||
| Touch | Infinite Scale | D Major | 5 | 10B | 106 BPM | ||
| Lamp Mien | Deaf Center | B♭ Minor | 1 | 3A | 77 BPM | ||
| Deep Like Airline Failure | Proem | D♭ Major | 6 | 3B | 113 BPM | ||
| Things Might Get Better | Funki Porcini | A♭ Major | 3 | 4B | 119 BPM | ||
| The Realms of Sanda | Secede | B♭ Major | 7 | 6B | 84 BPM | ||
| At the Gates of Dawn | Poemme | G Major | 2 | 9B | 89 BPM | ||
| Onno | Michal Lewicki | B Minor | 2 | 10A | 172 BPM | ||
| Tussen De Monsters | Rudy Adrian | F♯ Major | 2 | 2B | 55 BPM | ||
| Pt. 2: Heavy Eyes, Smooth Driving | Tom Middleton, Nissan LEAF | C Minor | 3 | 5A | 83 BPM | ||
| A Drifting Up | Jon Hopkins | A♭ Major | 5 | 4B | 90 BPM | ||
| Linepulse | Sasha | F Major | 1 | 7B | 100 BPM | ||
| Cloudburst | Motionfield | C Major | 4 | 8B | 97 BPM | ||
| Silent Longing | nikosf. | E♭ Minor | 0 | 2A | 70 BPM | ||
| commuting to mediocrity - no drums | The Middle Man | F♯ Major | 0 | 2B | 140 BPM | ||
| Time Over | Franck Zaragoza, Ocoeur | E Major | 2 | 12B | 70 BPM | ||
| The Piano Room II | Tom Middleton | E♭ Major | 0 | 5B | 73 BPM | ||
| Emotions | Redbrows | G Major | 3 | 9B | 123 BPM |