On January 1, 1993, the song "Get On Up, Come On In" was released by Paulo Mendonca. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 10 in Different Phases by Paulo Mendonca. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Get On Up, Come On In is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Get On Up, Come On In by Paulo Mendonca is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Full Moon, Half Crazy | Altered Five Blues Band | D Major | 9 | 10B | 128 BPM | ||
| The Good Luck You're Having | Bloodline | B♭ Minor | 8 | 3A | 133 BPM | ||
| Long Live the Blues | Zac Harmon | F Minor | 8 | 4A | 186 BPM | ||
| Boogie Man | Bernard Allison | F Major | 7 | 7B | 118 BPM | ||
| Over the Hills and Far Away | Lexington Lab Band | D Major | 9 | 10B | 95 BPM | ||
| Repo Man | Scott McKeon | C Major | 7 | 8B | 100 BPM | ||
| Groove with Me | Bernard Allison | F Major | 7 | 7B | 100 BPM | ||
| Heed the Warning | King King | C Major | 8 | 8B | 116 BPM | ||
| Addicted | Selwyn Birchwood | F Major | 9 | 7B | 108 BPM | ||
| Chocolate Chip & Chicken Bone | Paulo Mendonca | B Major | 10 | 1B | 106 BPM | ||
| Anywhere With Me | Laurence Jones | D♭ Minor | 8 | 12A | 127 BPM | ||
| Wife Eye | Chris Grey & The BlueSpand | B Minor | 3 | 10A | 76 BPM | ||
| So Damn Good | Jon Cleary | F Minor | 8 | 4A | 108 BPM | ||
| Walkin' On A Live Wire | Bryce Janey | D Major | 7 | 10B | 93 BPM | ||
| Stuck In The Night | Laurence Jones | G Major | 9 | 9B | 117 BPM | ||
| Outside Or The Eastside | Mike Zito | B Minor | 10 | 10A | 130 BPM | ||
| Money Junkie | Charlie Bedford | D♭ Major | 7 | 3B | 204 BPM | ||
| Highway Jones | Cry Of Love | B Major | 7 | 1B | 128 BPM | ||
| Half the Truth | Devon Allman | D Major | 10 | 10B | 118 BPM | ||
| Two Steps Forward | Kirk Fletcher | A♭ Minor | 9 | 1A | 186 BPM | ||
| Go Down Gamblin' | Simon McBride | A Major | 9 | 11B | 105 BPM | ||
| Backyard Party | Ole Børud | C Major | 7 | 8B | 95 BPM | ||
| Evergreen Is Golder | Maragold | D Major | 10 | 10B | 176 BPM | ||
| Unity | Anthony Gomes | G Major | 9 | 9B | 114 BPM | ||
| Born Without a Heart | Mingo Fishtrap | E Major | 6 | 12B | 100 BPM |