Christopher Titus's 'Leave' had a release date set for February 17, 2009. Leave is considered explicit and may contain foul language. This song is about 3 minutes and 21 seconds, which is about the average length of a typical song. The track order of this song in Christopher Titus's "Love is Evol" album is number 18 out of 18. On top of that, United States appears to be the country where this track was created. In terms of popularity, Leave is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Leave by Christopher Titus to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| #dickpics | Chris Porter | F Minor | 6 | 4A | 74 BPM | ||
| Squeakquels | Doug Benson | F♯ Major | 7 | 2B | 78 BPM | ||
| Please Light Me | Daniel Tosh | D♭ Major | 7 | 3B | 104 BPM | ||
| Nightclubbing over the Head | Chris Porter | A♭ Major | 8 | 4B | 112 BPM | ||
| Hitler's Great Ass | Craig Ferguson | D Major | 10 | 10B | 65 BPM | ||
| Conceived | Christopher Titus | B♭ Major | 9 | 6B | 95 BPM | ||
| Group Therapy | Artie Lange | A♭ Major | 9 | 4B | 80 BPM | ||
| Japanese Food / Free Willy | John Pinette | F Major | 8 | 7B | 58 BPM | ||
| The Rob Konrad Story | Steve Rannazzisi | F Major | 9 | 7B | 98 BPM | ||
| The Earth | Steve Byrne | A Major | 9 | 11B | 130 BPM | ||
| I Gotta Be Me | Christian Finnegan | E Major | 8 | 12B | 89 BPM | ||
| The Fattest Cokehead | Artie Lange | D♭ Major | 9 | 3B | 111 BPM | ||
| Delay | Anthony Jeselnik | D Major | 9 | 10B | 95 BPM | ||
| Dairy Queen | Tommy Campbell | A♭ Major | 3 | 4B | 81 BPM | ||
| Smokers | Tom Papa | F♯ Major | 3 | 2B | 82 BPM | ||
| Hot Load | Tommy Campbell | E Major | 4 | 12B | 69 BPM | ||
| Pussy Door to Door (Remastered 2024) [Live] | Ralphie May | C Minor | 3 | 5A | 123 BPM | ||
| Meeting J-Bone | Bob Saget | E Major | 10 | 12B | 91 BPM | ||
| Cowboys | Pablo Francisco | F♯ Minor | 7 | 11A | 86 BPM | ||
| Kinky | Mike Armstrong | D♭ Major | 10 | 3B | 88 BPM | ||
| Performance Review 2 | John Heffron | E Minor | 9 | 9A | 135 BPM | ||
| Love | Ron White | B Major | 4 | 1B | 84 BPM | ||
| Morning Tom | Tom Papa | F♯ Major | 7 | 2B | 171 BPM | ||
| Working Class Family | Billy Gardell | D♭ Major | 9 | 3B | 110 BPM | ||
| Anything Can Be Funny | Dana Gould | F♯ Major | 10 | 2B | 81 BPM |