Stan Tracey's 'Boo-Bah - from "Little Klunk"' had a release date set for 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in "Little Klunk" and "Showcase", so we believe that "Boo-Bah - from "Little Klunk"" is a single. Boo-Bah - from "Little Klunk" is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Boo-Bah - from "Little Klunk" by Stan Tracey is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 白鳥~「動物の謝肉祭」より | Easy Camel Trio | C Major | 4 | 8B | 152 BPM | ||
| Notes in Geometry | Silas Moonray | B♭ Major | 5 | 6B | 132 BPM | ||
| Jazz Of Two Cities | Warne Marsh | G Minor | 3 | 6A | 114 BPM | ||
| Sonny Boy | Wes Montgomery, Rick Laird, Ronnie Stephenson, Stan Tracey | G Major | 5 | 9B | 142 BPM | ||
| Aluminum Light | Modanova | C Major | 1 | 8B | 185 BPM | ||
| Playing Keys Tonight | Nordic Jazz Club | G Major | 2 | 9B | 64 BPM | ||
| Blue Hour Jazz Groove - Instrumental | The Los Angeles Jazz Ensemble | B Minor | 1 | 10A | 100 BPM | ||
| Legends of the Silent | Salma Del Sol | B Minor | 5 | 10A | 128 BPM | ||
| Sweet Rain (For Stan Getz), Pt. 1 | Michael Gibbs | F Major | 6 | 7B | 92 BPM | ||
| Side Door Serenade | Milo Crescent | B♭ Major | 5 | 6B | 132 BPM | ||
| Telephone | The Overtowns | G Major | 1 | 9B | 62 BPM | ||
| When Music Rests | Arthur Glasswing | B♭ Major | 5 | 6B | 132 BPM | ||
| Dream State | Julian Moonray | C Major | 0 | 8B | 147 BPM | ||
| What Am I Here For? - Live | Ben Webster, Stan Tracey | A♭ Major | 1 | 4B | 107 BPM | ||
| Humming Bird (Remastered 1985) | Paul Gonsalves | C Major | 3 | 8B | 145 BPM | ||
| Almost Like Being in Love - from "Showcase" | Stan Tracey | F Major | 3 | 7B | 120 BPM | ||
| Stay Right With It | Barry Harris Trio | E♭ Major | 3 | 5B | 96 BPM | ||
| Strange Feeling | Billy Strayhorn | F Minor | 1 | 4A | 101 BPM | ||
| Jamivore, Pt. III | Jazz Control | C Major | 1 | 8B | 76 BPM | ||
| Batterie | Paul Bley Trio | F Minor | 1 | 4A | 116 BPM | ||
| Hushed Conversations | Velvet Hour Jazz | B♭ Major | 5 | 6B | 132 BPM | ||
| Naru's Waltz | Max Ionata, Jesper Bodilsen, Martin Maretti Andersen, Martin SjÖstedt | A♭ Minor | 6 | 1A | 123 BPM | ||
| Shooting Stars | Rhea Stark | D♭ Minor | 1 | 12A | 100 BPM | ||
| El Viktor - Take 1 | Sun Ra & His Arkestra | E Major | 6 | 12B | 131 BPM | ||
| The Room After Words | Milo Crescent | B♭ Major | 5 | 6B | 132 BPM |