Alfredo Kraus's ' "Júrame" was released on its scheduled release date, January 9, 1958. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alfredo Kraus's "Las Perlas" album is number 11 out of 31. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Júrame is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Júrame by Alfredo Kraus to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Don Manolito: Ensalada madrilena | Pablo Sorozábal, Madrid Community Chorus, Madrid Community Orchestra, Miguel Roa | C Major | 1 | 8B | 147 BPM | ||
| Massenet: Werther, Act 1: "Ô spectacle idéal d'amour et d'innocence" - "Sophie ! Albert ! Toi de retour ?" (Werther, Le bailli, Charlotte, Sophie, Albert) | Jules Massenet, Michel Plasson, Alfredo Kraus, Christine Barbaux, Jules Bastin, Matteo Manuguerra, Tatiana Troyanos, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
| Popurrí Consuelo Velázquez | Javier Camarena, Humberto Terán, Armando Garmendi, Red Studio | F Major | 2 | 7B | 137 BPM | ||
| Total | Inés María Bravo | B Minor | 3 | 10A | 110 BPM | ||
| Agua, azucarillos y aguardiente: Coro de barquilleros | Pablo Sorozábal | D♭ Major | 4 | 3B | 124 BPM | ||
| Amapola | Alfredo Kraus | G Minor | 3 | 6A | 106 BPM | ||
| Los Días Felices - Les jours heureux / Spanish Version | Charles Aznavour | C Minor | 5 | 5A | 162 BPM | ||
| Los niños del Pireo | José Guardiola | G Major | 6 | 9B | 128 BPM | ||
| La Traviata: Scène et Air: È strano (Violetta/Alfredo) - 1987 Remastered Version | Giuseppe Verdi, Maria Callas, Alfredo Kraus, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione | F Major | 1 | 7B | 96 BPM | ||
| Los Dias Del Arco Iris | Nicola Di Bari | D♭ Major | 1 | 3B | 96 BPM | ||
| Enamorado del mar | Jorge Sepúlveda | F Major | 5 | 7B | 101 BPM | ||
| Sevilla | Manuel Alejandro, Beatriz Beigbeder, Plácido Domingo, Paco de Lucía | G Minor | 4 | 6A | 154 BPM | ||
| Lara - De "Dr. Zhivago" | Andrea Bocelli | A♭ Major | 3 | 4B | 78 BPM | ||
| Si el llanto fuera lluvia | Nacha Guevara | C Minor | 3 | 5A | 95 BPM | ||
| Guitarra Suena Más Bajo | Nicola Di Bari | A♭ Major | 3 | 4B | 88 BPM | ||
| Canción del Vagabundo-Alma de Díos | Alfredo Kraus | G Minor | 3 | 6A | 106 BPM | ||
| Granada | Agustín Lara, Juan Diego Flórez, Fort Worth Symphony Orchestra, Miguel Harth-Bedoya | E Major | 4 | 12B | 79 BPM | ||
| Dónde Están los Carboneros - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | D Major | 4 | 10B | 72 BPM | ||
| Rigoletto, Act II: Che m'ami, deh, ripetimi | Giuseppe Verdi, Alfredo Kraus, Gianandrea Gavazzeni, Orchestra del Maggio Musicale Fiorentino | C Major | 1 | 8B | 64 BPM | ||
| El Barberillo de Lavapies: Entrada de Paloma | Francisco Asenjo Barbieri, Maria Bayo, Antonio Ros Marbà, Orquesta Sinfónica de Madrid, Lola Casariego | A Major | 2 | 11B | 131 BPM | ||
| Verdi: La traviata, Act 1: "Dell’invito trascorsa è già l’ora" (Chorus, Violetta, Flora, Marchese, Gastone, Alfredo, Barone) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti, Alfredo Kraus, Ambrosian Opera Chorus, Henry Newman, Renata Scotto, Richard van Allan, Sarah Walker, Suso Mariategui | A Major | 1 | 11B | 168 BPM | ||
| Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
| Se me olvidó otra vez | Juan Gabriel, Plácido Domingo, Bebu Silvetti, The VVC Symphonic Orchestra | G Major | 4 | 9B | 75 BPM | ||
| Puccini: La Bohème, Act 1: "Sì. Mi chiamano Mimi" (Mimi, Rodolfo) | Giacomo Puccini, Renata Scotto, James Levine, National Philharmonic Orchestra | D Major | 0 | 10B | 170 BPM | ||
| Cancion para una reina | Manuel Alejandro, Marian Beigbeder, Plácido Domingo, David Towse | F♯ Minor | 4 | 11A | 178 BPM |