On October 8, 1997, the song "オレオ" was released by トルヴェール・クヮルテット, Toshiyuki Honda. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. オレオ's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in トルヴェール・クヮルテット, Toshiyuki Honda's "HIGH FIVE" album is number 7 out of 13. Based on our statistics, オレオ's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of オレオ by トルヴェール・クヮルテット, Toshiyuki Honda to be Vivace (lively and fast) because the track has a tempo of 158 BPM, a half-time of 79BPM, and a double-time of 316 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Metamorphoses after Ovid, Op. 49: No. 6, Arethusa | Benjamin Britten, Allan Vogel | D Major | 0 | 10B | 130 BPM | ||
| Goedicke / Arr. Dokshitser: Concert Étude, Op. 49 | Alexander Goedicke, Alison Balsom, Tom Poster | G Minor | 2 | 6A | 82 BPM | ||
| フランス組曲 I. ノルマンディー | トルヴェール・クヮルテット, 小柳美奈子 | B♭ Major | 2 | 6B | 141 BPM | ||
| Chanson et passapied - Instrumental Version | Daniel Sanchez | G Major | 1 | 9B | 83 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| ブエノスアイレスの夏 | トルヴェール・クヮルテット, 小柳美奈子, 山口多嘉子 | B Minor | 2 | 10A | 133 BPM | ||
| サクソフォーンのための演奏会用四重奏曲: サクソフォーンのための演奏会用四重奏曲: 第6楽章: ロンド形式のフィナーレ | Jeanine Rueff, トルヴェール・クヮルテット | E Minor | 2 | 9A | 83 BPM | ||
| O Land out There, for Clarinet, Oud, Double Bass and Piano | Menachem Wiesenberg, Taiseer Elias, Nir Comforty, Chen Halevi | G Major | 1 | 9B | 87 BPM | ||
| Red Shoes | Mia Brentano, Benyamin Nuss, Billy Test | C Major | 0 | 8B | 73 BPM | ||
| ガラスの海と都市の情景 | Micina | C Minor | 6 | 5A | 120 BPM | ||
| Hindemith: Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Alison Balsom | D Major | 1 | 10B | 119 BPM | ||
| Ex Machina: Machine IV (Dancing a Mean Ghastly Dance) | Marc Mellits, Donald Sinta Quartet | G Minor | 3 | 6A | 128 BPM | ||
| In Memoriam Dylan Thomas: I. Dirge-Canons (Prelude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | E Minor | 0 | 9A | 72 BPM | ||
| Saxophone Concertino, Op. 78: Concertino, Op. 78 | Jean-Baptiste Singelee, Bruno Canino, Sassofoni Accademia Quartet | A♭ Major | 0 | 4B | 128 BPM | ||
| Trombone Concerto: I. Moderato assai ma molto maestoso (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| 生命の奇跡 for Saxophone Quartet | 雲井雅人サックス四重奏団 | G Major | 1 | 9B | 80 BPM | ||
| Horn Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Imre Magyari, Ilona Prunyi | A Major | 1 | 11B | 145 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| La Mezquita II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | A♭ Major | 7 | 4B | 150 BPM | ||
| 弦楽四重奏曲 へ長調(サクソフォン版): 弦楽四重奏曲 へ長調(サクソフォン版): 第4楽章 Vif et agité | Maurice Ravel, トルヴェール・クヮルテット, 小柳美奈子 | F Major | 1 | 7B | 134 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Grieg: The Mountain Maid, Op. 67: No. 3, Blueberry Slope (Transcr. for Trumpet and Piano) | Edvard Grieg, Tine Thing Helseth, Håvard Gimse | F Major | 1 | 7B | 106 BPM | ||
| La fille aux cheveux de lin [The Girl with the Flaxen Hair]: (Debussy) | Joseph Alessi | F Major | 0 | 7B | 69 BPM | ||
| Max Bruch Romanze Op.85 | Christian Yoo | F Major | 1 | 7B | 140 BPM |