Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's ' "Requiem In C Major: I. Introitus, Requiem" was released on its scheduled release date, April 1, 2008. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Adolf Hasse, Il Fondamento, Paul Dombrecht's "Hasse: Requiem" album is number 1 out of 29. On top of that, France appears to be the country where this track was created. Requiem In C Major: I. Introitus, Requiem is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Requiem In C Major: I. Introitus, Requiem by Johann Adolf Hasse, Il Fondamento, Paul Dombrecht to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arripe alpestri ad vallem: Sereni affectus mei | Il Seminario Musicale, Gérard Lesne | E Major | 0 | 12B | 70 BPM | ||
| Missa Paschalis, ZWV7: Agnus Dei | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Major | 1 | 3B | 79 BPM | ||
| Stabat Mater, P. 77: VII. Alto. Eia mater, fons amoris | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
| Concerto a cinque No. 12, Op. 7: III. Allegro | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B Major | 4 | 1B | 80 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Missa Sancti Hieronymi, MH 254: VI. Sanctus | Michael Haydn, Julia Doyle, Kate Symonds-Joy, James robinson, Malachy Frame, Choir of Gonville & Caius College, Cambridge, Academy of Ancient Music, Matthew Martin | C Major | 2 | 8B | 98 BPM | ||
| Missa Sancti Gabrielis: Kyrie - Live-Version | Michael Haydn, Kyrios.badia | G Major | 0 | 9B | 142 BPM | ||
| Petite messe solennelle: Et resurrexit | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | E Major | 2 | 12B | 137 BPM | ||
| Die Jahreszeiten, Hob. XXI:3, Der Frühling: IVb. Bittgesang: Sei nun gnädig, milder Himmel! (Terzett und Chor) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Tilman Lichdi, Matthias Winckhler, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Dido and Aeneas, Z. 626, Act III: No. 30, Recit. See the Flags – Song. Our Next Motion | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 105 BPM | ||
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Credo: Et resurrexit | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D♭ Minor | 2 | 12A | 115 BPM | ||
| Grande Messe des Morts: XVII. Sequentia: Pie Jesu - Amen: Andante | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 1 | 6A | 123 BPM | ||
| Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 30, Aria. "Es ist vollbracht" | Johann Sebastian Bach, Janet Baker, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 3 | 10B | 99 BPM | ||
| Crispo: Aria "Strazio, scempio, furia e morte" | Giovanni Bononcini, Eva Zaïcik, Le Consort | A♭ Major | 3 | 4B | 118 BPM | ||
| Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
| Messiah, HWV 56: Part 1: Glory to God (Chorus) | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 108 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): VII. Gloria Patri | Johann Adolf Hasse, Accademia Barocca Lucernensis, Alberto Miguélez Rouco, Javier Ulises Illán | B Major | 3 | 1B | 99 BPM | ||
| Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Monika Frimmer, Peter Kooij, Paul Dombrecht | B Major | 1 | 1B | 79 BPM | ||
| La Susanna: Voi donzelle | Alessandro Stradella, Filippo Mineccia, Nereydas, Javier Ulises Illán | D Major | 1 | 10B | 111 BPM | ||
| Requiem: II. Dies irae | Anton Bruckner, Elke Janssens, Penelope Turner, Roel Willems, Arnout Malfliet, Laudantes Consort, Guy Janssens | C Major | 0 | 8B | 129 BPM | ||
| La Guerre: La Bataille de Marignan | Clément Janequin, Johann Adolf Hasse, Jordi Savall | G Major | 5 | 9B | 68 BPM | ||
| Requiem in C Major / Sequentia: Vg. Inter oves | Johann Adolf Hasse, Wiebke Lehmkuhl, Dresdner Barockorchester, Hans-Christoph Rademann | B Minor | 4 | 10A | 80 BPM | ||
| Concerto grosso No. 1 in D Major, Op. 6/1: V. Allegro | Arcangelo Corelli, Roy Goodman, Brandenburg Consort | A Major | 1 | 11B | 140 BPM | ||
| Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah! Dans ce bois tranquille et sombre [reprise] | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM |