Rosanna Falasca's 'El Último Café' had a release date set for July 19, 2005. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. El Último Café's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Rosanna Falasca's "Los Tangos De Mi Ciudad Y Mi Gente" album is number 8 out of 12. On top of that, Argentina appears to be the country where this track was created. In terms of popularity, El Último Café is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of El Último Café by Rosanna Falasca to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dos Fracasos | La Santa Calavera, Ariel Varnerin | D♭ Major | 7 | 3B | 120 BPM | ||
| Vieja esquina | Ricardo Tanturi y Enrique Campos | C Major | 4 | 8B | 121 BPM | ||
| Antiguo Reloj De Cobre | Miguel Montero | F♯ Minor | 3 | 11A | 91 BPM | ||
| Naranjo en Flor | Horacio Molina | C Major | 3 | 8B | 105 BPM | ||
| Afiches | Omar Mollo | C Minor | 6 | 5A | 111 BPM | ||
| Gota de lluvia - Misteriosa buenos aires | Orquesta Típica Misteriosa Buenos Aires | A Major | 3 | 11B | 166 BPM | ||
| Estrella | Orquesta Rodolfo Biagi, Hugo Duval, Marcelino Hernandez, Roberto Cassinelli | A Minor | 3 | 8A | 120 BPM | ||
| Y Todavía Te Quiero | Estela Raval | D♭ Minor | 6 | 12A | 108 BPM | ||
| Uno | Armando Pontier | A Major | 3 | 11B | 92 BPM | ||
| Desde el alma | Nelly Omar | E Minor | 5 | 9A | 89 BPM | ||
| Sus Ojos Se Cerraron | Rosanna Falasca | D Minor | 3 | 7A | 80 BPM | ||
| Clavelito Tilcareño | Leandro Airala | G Major | 2 | 9B | 116 BPM | ||
| Mimi Pinson (with Gran Orquesta Típica OTRA) | Omar Mollo, Gran Orquesta Típica OTRA | G Major | 4 | 9B | 102 BPM | ||
| Si no estuvieras tu | Orquesta Rodolfo Biagi, Carlos Almagro, Leo Lipesker, Victor Braña | A Minor | 3 | 8A | 120 BPM | ||
| Volver | Paco Medina | E Minor | 3 | 9A | 125 BPM | ||
| No Es No | Leandro Airala | A Minor | 3 | 8A | 118 BPM | ||
| Yo Soy del Treinta | Tita Merello | A Major | 3 | 11B | 128 BPM | ||
| Lloró Como una Mujer (with Leopoldo Federico y Su Orquesta) | Julio Sosa, Leopoldo Federico y su Orquesta | A♭ Major | 7 | 4B | 119 BPM | ||
| La Casita de Mis Viejos - Remastered | Julio Sosa | F Minor | 6 | 4A | 120 BPM | ||
| Melodía de Arrabal | Tangos de Oro | A Major | 3 | 11B | 124 BPM | ||
| Fumando Espero | Donato Racciatti y Su Orquesta Típica, Olga Del Grossi | F Minor | 5 | 4A | 124 BPM | ||
| El Choclo | Tita Merello | B Major | 4 | 1B | 149 BPM | ||
| Tiempos Viejos (Te Acordas Hermano) | Charlo | A Major | 3 | 11B | 92 BPM | ||
| El Ultimo Café - Remastered | Julio Sosa | B♭ Minor | 6 | 3A | 110 BPM | ||
| Romance de Barrio | Roberto Goyeneche, Baffa-Berlingieri | F Minor | 3 | 4A | 170 BPM |