Brian Tyler's 'The Final Destination' had a release date set for January 1, 2009. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. The Final Destination's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "The Final Destination (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. The popularity of The Final Destination is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Final Destination by Brian Tyler having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lament of Heavens Night | Akira Yamaoka | G Major | 9 | 9B | 124 BPM | ||
| We're All Getting Better Together | Tom Salta | E♭ Major | 1 | 5B | 87 BPM | ||
| ALICE IN BORDERLAND Season 2 Opening | Yutaka Yamada | A♭ Minor | 6 | 1A | 160 BPM | ||
| The Trickster | Michel F. April | B Minor | 6 | 10A | 100 BPM | ||
| All Wound Up | She Wants Revenge | C Major | 7 | 8B | 120 BPM | ||
| Round II | jung jaeil | D♭ Major | 10 | 3B | 190 BPM | ||
| The Fall | Brian Tyler | C Minor | 5 | 5A | 60 BPM | ||
| POSTAL Brain Damaged Main Theme | Ivory Tower Soundworks | F♯ Major | 9 | 2B | 174 BPM | ||
| Whamola | Les Claypool | F♯ Major | 10 | 2B | 136 BPM | ||
| In Pieces | Paul Wiley | B♭ Major | 3 | 6B | 119 BPM | ||
| Memorial | Brian Tyler | A Minor | 1 | 8A | 70 BPM | ||
| The Four Horsemen | Brian Tyler | D Major | 9 | 10B | 162 BPM | ||
| Cage Mansion - Stage | Casey Edwards | D Major | 8 | 10B | 118 BPM | ||
| The Twisted Fate of Sweet Tooth the Clown | Michael Wandmacher | F Major | 7 | 7B | 131 BPM | ||
| Escape From Paradise | Jesus Loves Junkies | B♭ Major | 9 | 6B | 92 BPM | ||
| The One (From “Call of Duty: World at War - Shi No Numa”) - Instrumental | Kevin Sherwood | F Major | 9 | 7B | 90 BPM | ||
| headhunter | db9d9 | G Major | 10 | 9B | 128 BPM | ||
| Break this Lousy World | Taku Iwasaki | A Major | 8 | 11B | 115 BPM | ||
| Big Rock | Kevin MacLeod | F Major | 5 | 7B | 151 BPM | ||
| Angel's Thanatos | Akira Yamaoka | G Major | 8 | 9B | 106 BPM | ||
| Resident Evil Main Theme (Umbrella Corporation) - Epic Version | Anthony Lo Re | F♯ Minor | 4 | 11A | 166 BPM | ||
| Public Enemy #1 | Genitorturers | A Major | 9 | 11B | 157 BPM | ||
| Tower of Terror | Tim Wynn | G Minor | 4 | 6A | 119 BPM | ||
| Dark Night - Kara | Philip Sheppard | B Minor | 6 | 10A | 140 BPM | ||
| Roadkill | Larry LaLonde, Dan Monti | D♭ Major | 8 | 3B | 152 BPM |