On March 30, 2010, the song "Variations on Aliabiev's the Nightingale" was released by Mikhail Timofeyevich Visotsky, Talisman. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Variations on Aliabiev's the Nightingale's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Talisman's "Mikhail Vysotsky and the Gypsies of Moscow" album is number 9 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Variations on Aliabiev's the Nightingale's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Variations on Aliabiev's the Nightingale by Mikhail Timofeyevich Visotsky, Talisman to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bolero | David Tutmark | A Major | 3 | 11B | 85 BPM | ||
| 13 Catalan Folksongs: La filla del marxant | Miguel Llobet Solés, Lorenzo Micheli | E Major | 0 | 12B | 138 BPM | ||
| Estudio Capricho | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 97 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: V. Gavottes 1 & 2 (Arr. for Guitar) | Robert Secrist | A Minor | 1 | 8A | 129 BPM | ||
| Estudio 8 (2 guitarras) | Antonio Chover Salom, Carlos Blanco Ruiz | D Major | 1 | 10B | 109 BPM | ||
| Sonate romantique "Hommage à Schubert": II. Andante | Manuel Ponce, Marcin Dylla | A Major | 1 | 11B | 126 BPM | ||
| Un Sol En Otoño | Leonard Maraiz | E Major | 3 | 12B | 129 BPM | ||
| John Dowland - Lachrimae Pavane - Flow my Tears - Classical Guitar | John Dowland, Mattias von Wachenfeldt | D Major | 1 | 10B | 170 BPM | ||
| A Don Agustin Bardi: Don Agustin Bardi (Arr. Morel) | Horacio Salgan, Ricardo Cobo | A Minor | 1 | 8A | 128 BPM | ||
| Capricci a due stromenti cioè tiorba e tiorbino: Cecchina Corrente | Bellerofonte Castaldi, Albane Imbs, Rolf Lislevand | F♯ Major | 2 | 2B | 137 BPM | ||
| Five Bagatelles: 2. Lento | Sharon Isbin | G Minor | 0 | 6A | 117 BPM | ||
| Embraceable You (Arr. John W Duarte) | Andrew Keeping | D Major | 1 | 10B | 79 BPM | ||
| 13 Catalan Folksongs: La pastoreta | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 135 BPM | ||
| Carcassi Op.60 N.8 Moderato | Matteo Carcassi, Lucio Matarazzo | E Major | 3 | 12B | 171 BPM | ||
| Segovia: Estudio "Remembranza" | Andrés Segovia, Oscar Caceres | G Major | 1 | 9B | 130 BPM | ||
| Choix de mes fleurs chéries, Op. 46: No. 4, Le Jasmin | Mauro Giuliani, Ihor Kordiuk | A Major | 0 | 11B | 118 BPM | ||
| Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor: Dumka. Allegretto Grazioso (Arr. for Guitar Duet by Duo Mirić) | Antonín Dvořák, Mak Grgic, Mateusz Kowalski | D Minor | 3 | 7A | 104 BPM | ||
| 24 Caprichos de Goya, Op. 195: No. 3, Nadie se conoce (Nobody knows oneself) | Mario Castelnuovo-Tedesco, Zoran Dukic | C Major | 1 | 8B | 64 BPM | ||
| Bogdanovic: Suite brève: IV. Chaconne | Dusan Bogdanovic, Thibaut García | B Minor | 1 | 10A | 84 BPM | ||
| 8 Etudes: No. 6 in A major | Norbert Kraft | A Major | 4 | 11B | 172 BPM | ||
| 10 Etudes: I. Etude No. 1: Moderato | Giulio Regondi, John Holmquist | C Major | 2 | 8B | 86 BPM | ||
| Bardenklange, Op. 13: Romanze: Andante | Johann Kaspar Mertz, Adam Holzman | E Minor | 0 | 9A | 132 BPM | ||
| Ocean tides | Guitar frets | D Minor | 3 | 7A | 118 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Prelude No. 2 in D Major (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | F Major | 2 | 7B | 104 BPM | ||
| Ponce: Scherzino Mexicano | Manuel Ponce, Oscar Caceres | E♭ Major | 1 | 5B | 75 BPM |