"Red Alert" by Star Trek - First Contact had its release date on March 5, 2010. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Red Alert's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 13 in First Contact by Original Soundtrack/star Trek. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Red Alert is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Red Alert by Star Trek - First Contact is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Covenant | Jed Kurzel | D♭ Major | 1 | 3B | 121 BPM | ||
| Gumbold's Safe - Remastered | Louis Armstrong, John Barry, Michael McDonald (remixer) | G Major | 1 | 9B | 102 BPM | ||
| Break Out | Brian May | G Minor | 1 | 6A | 102 BPM | ||
| 24 Hr. Deadline | W.G. Snuffy Walden | B Major | 2 | 1B | 111 BPM | ||
| The Blenheim Sequence | Joe Kraemer | C Minor | 1 | 5A | 88 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Threnody in X | The X-Files | D Minor | 7 | 7A | 180 BPM | ||
| Battlefield | Celtroya | B♭ Major | 3 | 6B | 137 BPM | ||
| Sneaky Mystique | John Ottman | A♭ Minor | 1 | 1A | 145 BPM | ||
| Into the Fog | Iva Davies, Richard Tognetti, Christopher Gordon | A♭ Major | 5 | 4B | 180 BPM | ||
| Star Trek: Deep Space Nine - Main Title | Dennis McCarthy | C Major | 2 | 8B | 66 BPM | ||
| Change of Plan | Lorne Balfe | A♭ Major | 6 | 4B | 107 BPM | ||
| Bond At The Monsoon Palace | John Barry | E♭ Minor | 4 | 2A | 106 BPM | ||
| Hospital Chase | Leonard Rosenman | C Major | 6 | 8B | 136 BPM | ||
| Iced Inc. | Die Another Day Soundtrack | C Major | 9 | 8B | 156 BPM | ||
| Runaway Jury | Christopher Young | F Minor | 1 | 4A | 68 BPM | ||
| His Princess | Gracy Westwood, Grace Westwood | A Major | 2 | 11B | 85 BPM | ||
| The Major Alone | Jerome Moross | F Major | 4 | 7B | 83 BPM | ||
| A Planet | Marc Streitenfeld | B Minor | 2 | 10A | 166 BPM | ||
| Home is Where the Helm Is | Nami Melumad | D♭ Major | 1 | 3B | 141 BPM | ||
| Hovercraft Chase | Die Another Day Soundtrack | E Major | 9 | 12B | 142 BPM | ||
| Ooby Dooby | Star Trek - First Contact | G Major | 6 | 9B | 170 BPM | ||
| The Mask | Vito Kortelli, Vitolo | E♭ Minor | 2 | 2A | 95 BPM | ||
| Dining On Ashes - Star Trek VI/Soundtrack Version | Cliff Eidelman | G Minor | 0 | 6A | 67 BPM | ||
| Independence Day Resurgence Finale | Thomas Wander, Harald Kloser | B♭ Major | 2 | 6B | 83 BPM |