"In Time of Pestilence: No. 4, Strength Stoops unto the Grave" by Ned Rorem, Gregg Smith Singers, Gregg Smith had its release date on January 1, 1996. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Rorem: Choral Works". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Hong Kong. In Time of Pestilence: No. 4, Strength Stoops unto the Grave is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Time of Pestilence: No. 4, Strength Stoops unto the Grave by Ned Rorem, Gregg Smith Singers, Gregg Smith having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Delius: Irmelin Prelude | Frederick Delius, Sir John Barbirolli, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
| Rorem: The Lordly Hudson | Ned Rorem, Susan Graham, Malcolm Martineau | F Minor | 0 | 4A | 74 BPM | ||
| Cello Sonata, FP 143: II. Cavatine. Très calme | Francis Poulenc, Jean-Guihen Queyras, Alexandre Tharaud | D♭ Major | 0 | 3B | 110 BPM | ||
| Stille Musik: II. Abendserenade | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D Minor | 0 | 7A | 77 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 0 | 9A | 76 BPM | ||
| Quilter: 3 Songs, Op. 3: No. 2, Now Sleeps the Crimson Petal (Arr. Hough for Piano) | Roger Quilter, Stephen Hough | F♯ Major | 0 | 2B | 131 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Angela Cheng, Jens Lindemann, CBC Radio Orchestra, Mario Bernardi | C Minor | 0 | 5A | 175 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | E Minor | 0 | 9A | 76 BPM | ||
| Poulenc: Cello Sonata, FP 143: IV. Finale | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | D♭ Minor | 1 | 12A | 171 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Our Town, Act III: "Were You Happy, Emily?" | Ned Rorem, Krista River, Margot Rood, Stanley Wilson, Glorivy Arroyo, Gil Rose | B♭ Major | 1 | 6B | 173 BPM | ||
| Sussex Landscape: II. Lento e molto tranquillo | Avril Coleridge-Taylor, BBC Philharmonic Orchestra, John Andrews | B♭ Major | 0 | 6B | 74 BPM | ||
| Poulenc: Cello Sonata, FP 143: I. Allegro - Tempo di marcia | Francis Poulenc, Daniel Müller-Schott/Robert Kulek | F Minor | 0 | 4A | 174 BPM | ||
| Pärt: Silouans Song | Arvo Pärt, Ostrobothnian Chamber Orchestra, Juha Kangas | F Minor | 0 | 4A | 130 BPM | ||
| Sonata Santera: II. Ofrenda | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Poulenc: Cello Sonata, FP 143: III. Ballabile | Francis Poulenc, Daniel Müller-Schott, Robert Kulek | F Minor | 1 | 4A | 78 BPM | ||
| The Legend, Op. 17 | Henryk Wieniawski, Filharmonie Brno, Petr Altrichter, Jan Stanovsky | G Minor | 1 | 6A | 112 BPM | ||
| Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo | Amy Beach, Ambache | D♭ Major | 0 | 3B | 60 BPM | ||
| Introduction and Allegro appassionato, Op. 92, for Piano and Orchestra in G Major: I. Langsam | Robert Schumann, Christian Zacharias, Orchestre de Chambre de Lausanne | G Major | 0 | 9B | 132 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| D'un jardin clair | Lili Boulanger, Sophia Subbayya Vastek | B Major | 0 | 1B | 74 BPM | ||
| 12 Lieder von Franz Schubert, S. 558 (Excerpts): No. 3, Du bist die Ruh | Franz Liszt, Goran Filipec | E♭ Major | 0 | 5B | 125 BPM | ||
| Dona nobis pacem: The Angel of Death has been abroad | Ralph Vaughan Williams, Christina Pier, Matthew Brook, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | F Major | 2 | 7B | 88 BPM | ||
| Sing My Soul His Wondrous Love | Ned Rorem, The Incarnation Choir, Scott Dettra | B♭ Major | 1 | 6B | 80 BPM |