"もの忘れの木" by 蒲原史子 had its release date on February 21, 1997. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. もの忘れの木's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in フィオーリ〜花の歌, so we believe that "もの忘れの木" is a single. In terms of popularity, もの忘れの木 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of もの忘れの木 by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| H.M.S. Pinafore / Act 1: Sorry her lot who loves too well | Arthur Sullivan, The D'Oyly Carte Opera Company, Jean Hindmarsh, The New Symphony Orchestra Of London, Isidore Godfrey | F Major | 1 | 7B | 91 BPM | ||
| Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Er überwächst uns schon | Gustav Mahler, Izabella Kłosińska, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | A♭ Major | 2 | 4B | 85 BPM | ||
| Puccini: Tosca, Act 2: "E qual via scegliete?" (Scarpia, Tosca) | Giacomo Puccini, Maria Callas, Tito Gobbi, Victor de Sabata, Orchestra Del Teatro Alla Scala, Milano | D Major | 2 | 10B | 88 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Il Trovatore: Timor di me? ... D'amor sull'ali rosee | Giuseppe Verdi, Liping Zhang/Giordano Bellincampi/City of Prague Philharmonic Orchestra, Giordano Bellincampi, The City of Prague Philharmonic Orchestra | F Minor | 0 | 4A | 83 BPM | ||
| アメイジング・グレイス | 蒲原史子 | F Major | 1 | 7B | 77 BPM | ||
| Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè! ... Caro nome" | Giuseppe Verdi, Angela Gheorghiu, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F♯ Major | 6 | 2B | 83 BPM | ||
| Stizzoso, mio stizzoso. Aria | Vito Clemente | A Major | 2 | 11B | 119 BPM | ||
| The Lark | Mikhail Glinka, Julia Sukmanova, Elena Sukmanova | B Minor | 1 | 10A | 105 BPM | ||
| Norma / Act 1: Ah! bello a me ritorna | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | F Major | 2 | 7B | 78 BPM | ||
| The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
| 眠りの精 〜「ヘンゼルとグレーテル」より | 蒲原史子 | D Major | 1 | 10B | 91 BPM | ||
| 히브리 노예들의 합창 (오페라 "Nabucco" 중) | Korea W Philharmonic Orchestra | B Major | 2 | 1B | 182 BPM | ||
| ラクリモサ(モーツァルト:レクイエム 二短調より) | アカデミー室内合唱団, ラースロ・ヘルタイ | F♯ Minor | 1 | 11A | 166 BPM | ||
| 荒城の月 | 平松混声合唱団 | B Minor | 3 | 10A | 87 BPM | ||
| Delibes: Lakmé, Act 3: "Tu m'as donné le plus doux rêve" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 0 | 11B | 89 BPM | ||
| ペチカ | Yumiko Samejima | D Major | 2 | 10B | 113 BPM | ||
| Beau soir, L. 6 | Dilyana Georgieva, Galina Apostolova | F♯ Minor | 2 | 11A | 142 BPM | ||
| Wiener Träume | Helene von Alpenheim | F Major | 0 | 7B | 83 BPM | ||
| 浜辺の歌 | Tamezo Narita, Yumiko Samejima | A♭ Major | 1 | 4B | 84 BPM | ||
| Bizet: Carmen, WD 31, Act 1: Séguedille. "Près des remparts de Séville" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | D♭ Major | 1 | 3B | 84 BPM | ||
| アヴェ・ヴェルム・コルプス | Wolfgang Amadeus Mozart, Maki Mori | F Major | 0 | 7B | 70 BPM | ||
| Caro Mio Ben | Tomasso Giordani, Katherine Jenkins, The Arcadian Ensemble | E♭ Major | 2 | 5B | 74 BPM |