Far's 'Punchdrunk' had a release date set for April 3, 1996. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Tin Cans With Strings To You". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Punchdrunk's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Punchdrunk by Far having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charades | No Knife | F Minor | 8 | 4A | 130 BPM | ||
| Every Little Girl's Dream | Texas Is The Reason | G Major | 8 | 9B | 131 BPM | ||
| Savory | Jawbox | E♭ Major | 8 | 5B | 94 BPM | ||
| Sorrow's End | Far | E Minor | 3 | 9A | 85 BPM | ||
| Tragic Boogie | The Life And Times | C Major | 8 | 8B | 84 BPM | ||
| A Song With No Words | Burning Airlines | D♭ Major | 7 | 3B | 133 BPM | ||
| Stay Lo | Castor | D Major | 9 | 10B | 179 BPM | ||
| Open Hands To The Wind | Hopesfall | E♭ Major | 10 | 5B | 119 BPM | ||
| Light Burns Clear | Sparta | D Major | 7 | 10B | 68 BPM | ||
| Finest Our | Will Haven | D Major | 7 | 10B | 121 BPM | ||
| Thursday Side Of The Street | Knapsack | E Major | 9 | 12B | 164 BPM | ||
| 5: 30 | Relative Ash | D Major | 8 | 10B | 120 BPM | ||
| Let Me Come Back | Girls Against Boys | C Major | 9 | 8B | 152 BPM | ||
| Slip | Quicksand | G Minor | 9 | 6A | 145 BPM | ||
| The Night I Lost the Will to Fight | Cursive | G Major | 8 | 9B | 136 BPM | ||
| I Want to Be Rich | Shift | G Major | 8 | 9B | 155 BPM | ||
| Glass Rose | Time Spent Driving | D Major | 8 | 10B | 133 BPM | ||
| Audiowhore - Vs. The Greatest of All Time | Archers Of Loaf | D Minor | 5 | 7A | 113 BPM | ||
| Suspect | Orange 9mm | D Major | 9 | 10B | 145 BPM | ||
| I Left My Chainsaw in San Francisco | Eightfourseven | E♭ Major | 9 | 5B | 66 BPM | ||
| In The Aisle, Yelling | Far | A♭ Minor | 7 | 1A | 77 BPM | ||
| Flood of Foreign Capital | Burning Airlines | B♭ Minor | 9 | 3A | 97 BPM | ||
| 12/23/93 | Poison The Well | C Major | 9 | 8B | 144 BPM | ||
| Sans Cosm | Sparta | A Major | 9 | 11B | 163 BPM | ||
| True Love | Far | D Major | 6 | 10B | 127 BPM |