On January 20, 2026, the song "Kinda How It's Always Been" was released by Jon Worthy. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Kinda How It's Always Been's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Kinda How It's Always Been and no other songs are present in the album, we classify this track as a single. Based on our statistics, Kinda How It's Always Been's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kinda How It's Always Been by Jon Worthy to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turn the Car Over | Brother Castor | A Major | 3 | 11B | 120 BPM | ||
| Last to Know | Pastis | B♭ Major | 8 | 6B | 174 BPM | ||
| Midnight Train | Plastic Harpoons | A Major | 6 | 11B | 84 BPM | ||
| Happy | Ian Hooper | B Major | 5 | 1B | 120 BPM | ||
| Nothing Left | Killers To Lovers, Jon Worthy, Winna Skellz | F Minor | 10 | 4A | 156 BPM | ||
| Slow It Down | BILBAO, Thala | E Major | 8 | 12B | 112 BPM | ||
| 1975 | charlie Denver | D♭ Major | 5 | 3B | 170 BPM | ||
| Head West | Adam Wendler | D Major | 6 | 10B | 108 BPM | ||
| Hide | Birdriot, Coltxari | D Major | 5 | 10B | 104 BPM | ||
| Hate The World | Loud Silence | A♭ Minor | 8 | 1A | 75 BPM | ||
| Sun Goes Down | Samuel Jack | F♯ Major | 6 | 2B | 118 BPM | ||
| Shake It All Loose | Layup | B Major | 7 | 1B | 130 BPM | ||
| DIVE (feat. MAGIC GIANT) | Kids In America, MAGIC GIANT | A Major | 5 | 11B | 102 BPM | ||
| Ordinary Moments | Jack Curley | G Major | 8 | 9B | 148 BPM | ||
| Steady Ground | CALIFORNIA GOLD | G Major | 6 | 9B | 102 BPM | ||
| Already There | Bear Teef | G Minor | 6 | 6A | 108 BPM | ||
| Mental Inventory | River Ezra, Jon Worthy | B♭ Minor | 6 | 3A | 150 BPM | ||
| Let The Fire Burn | Tay Oskee | D♭ Major | 7 | 3B | 75 BPM | ||
| Hell Nah | Jon Worthy | F♯ Major | 9 | 2B | 124 BPM | ||
| Don't Let It Go | Jon Worthy | D Major | 8 | 10B | 165 BPM | ||
| Colours In My Head | John Muirhead | A♭ Major | 8 | 4B | 174 BPM | ||
| Meet me in Montauk | KAO | D♭ Major | 5 | 3B | 109 BPM | ||
| I See Red | Social Animals | C Major | 7 | 8B | 150 BPM | ||
| Settle Down | Woodlock | E Major | 4 | 12B | 97 BPM | ||
| The Fire Escape Choir | Arthur Pines | G Major | 4 | 9B | 85 BPM |