On January 1, 2007, the song "Fiddlesticks" was released by Albert McCarthy, Richard Freitas, David Carroll Orchestra, David Carroll, Ambrose Orchestra, Billy Vaughn Orchestra, Cyril Stapleton Orchestra, Danish State Radio Orchestra, Dolf van der Linden Orchestra, Frank Cordell Orchestra, Geoff Love Orchestra, Jackie Bond Orchestra, Johnny Gregory Orchestra, Laurie Johnson Orchestra, Leroy Holmes Orchestra, Les Baxter, Malcolm Lockyer Orchestra, Mantovani, Michael Fredericks Orchestra, Ray Martin Concert Orchestra, Ray Martin Orchestra, Ron Goodwin Concert Orchestra, The Concert Tango Orchestra, The Melachrino Orchestra, Werner Muller Orchestra. The duration of This song is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Fiddlesticks's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "The Golden Age of Light Music: The 1950s Vol. 4 - Cornflakes". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Switzerland. Fiddlesticks is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fiddlesticks by Albert McCarthy, Richard Freitas, David Carroll Orchestra, David Carroll, Ambrose Orchestra, Billy Vaughn Orchestra, Cyril Stapleton Orchestra, Danish State Radio Orchestra, Dolf van der Linden Orchestra, Frank Cordell Orchestra, Geoff Love Orchestra, Jackie Bond Orchestra, Johnny Gregory Orchestra, Laurie Johnson Orchestra, Leroy Holmes Orchestra, Les Baxter, Malcolm Lockyer Orchestra, Mantovani, Michael Fredericks Orchestra, Ray Martin Concert Orchestra, Ray Martin Orchestra, Ron Goodwin Concert Orchestra, The Concert Tango Orchestra, The Melachrino Orchestra, Werner Muller Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tara Theme - From 'Gone with the Wind' | Manuel & The Music Of The Mountains | A♭ Major | 4 | 4B | 183 BPM | ||
| I Love Paris | Cole Porter | G Major | 1 | 9B | 74 BPM | ||
| Rendez-vous à l'église - Bande originale du film "Comment trouvez-vous ma soeur ?" | Michel Colombier | C Major | 4 | 8B | 123 BPM | ||
| Capri C'est Fini | Juan Torres | D Major | 4 | 10B | 103 BPM | ||
| マナクーラの月 | ジョーレナ・ハワイアンズ | G Minor | 3 | 6A | 79 BPM | ||
| Journey Into Melody | Sam Fonteyn | G Major | 4 | 9B | 140 BPM | ||
| Theme From Minnie's Boys (93rd Street) | Merv Griffin | C Major | 1 | 8B | 173 BPM | ||
| Flowers On The Wall | Chet Baker, The Mariachi Brass, Jack Nitzsche | F Major | 1 | 7B | 121 BPM | ||
| Working the Streets | Charlie Chaplin | D♭ Major | 5 | 3B | 129 BPM | ||
| My Blue Heaven | Esquivel And His Orchestra | C Major | 4 | 8B | 130 BPM | ||
| Wiggin' out | Various Artists, Orchestra Heinz Kiessling | E♭ Major | 7 | 5B | 153 BPM | ||
| My Favourite Things | Living Strings | B Minor | 2 | 10A | 91 BPM | ||
| Butterfly By | Heinz Kiessling | A♭ Major | 4 | 4B | 119 BPM | ||
| Ohio Express | Hans Arno Simon & His Orchestra | C Major | 8 | 8B | 138 BPM | ||
| L'opéra des jours heureux - du film "Playtime", 1967 | Francis Lemarque | D♭ Minor | 5 | 12A | 140 BPM | ||
| À paris-pigalle | Paul Mauriat | B♭ Major | 7 | 6B | 104 BPM | ||
| Honey Bunch | Karl Grell | G Minor | 3 | 6A | 116 BPM | ||
| Big Show Theme | Robert Sharples | F Major | 5 | 7B | 79 BPM | ||
| Perfidia | Billy May | F Major | 3 | 7B | 118 BPM | ||
| Society Event | Sam Fonteyn | A Minor | 5 | 8A | 139 BPM | ||
| Marcetta Primi Pacchi | Gian Luca Nigro | C Major | 1 | 8B | 105 BPM | ||
| 30 Případů Majora Zemana | Filmový symfonický orchestr | F Minor | 5 | 4A | 139 BPM | ||
| Roslagsvår | Mats Olssons Orkester | C Major | 2 | 8B | 141 BPM | ||
| Let's Face The Music And Dance | Thomas Newman | C Minor | 1 | 5A | 178 BPM | ||
| Le Cocher De La Troika | Paul Mauriat | G Major | 2 | 9B | 85 BPM |