David Boman's ' "Why We Broke Up" was released on its scheduled release date, November 3, 2023. With This song being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of What Happens Later (Original Motion Picture Soundtrack) by David Boman. The song's track number on the album is #6 out of 23 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Why We Broke Up's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Why We Broke Up by David Boman has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Why We Broke Up being at 129 BPM, the half-time would be 64 BPM with a double-time of 258 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| opus lost hall | backroom ghost, poolrooms of 1992 | G Major | 2 | 9B | 68 BPM | ||
| En Deuda | Falsas Alarmas | E Minor | 1 | 9A | 75 BPM | ||
| Young Diana | Alexandre Desplat | F Major | 0 | 7B | 80 BPM | ||
| The Final Horizon | Endrina Whites | F♯ Major | 2 | 2B | 139 BPM | ||
| Le vin, c'est comme la musique | Ian Arber | F♯ Major | 2 | 2B | 139 BPM | ||
| Joyous Now | Metal Scar Radio, Hybrid | F♯ Major | 2 | 2B | 139 BPM | ||
| Orbita Sonica | Lumen Sonico | D♭ Major | 1 | 3B | 130 BPM | ||
| Problemas Imprevistos | Hasta El Final | C Major | 1 | 8B | 105 BPM | ||
| Be Myself | Akira Kosemura | F♯ Major | 2 | 2B | 139 BPM | ||
| Healing | David Tolk | F♯ Major | 2 | 2B | 139 BPM | ||
| They Made History | Eric Chevalier | D Minor | 4 | 7A | 109 BPM | ||
| Bellie and Bomman | Sven Faulconer | E♭ Major | 1 | 5B | 110 BPM | ||
| Garden Of Eden (F) | GLORY ROOM | F♯ Major | 2 | 2B | 139 BPM | ||
| Scenes From Above | Christopher Deighton, Peter Gregson | A Minor | 5 | 8A | 180 BPM | ||
| Pictures | Across The Great Valley | D Major | 1 | 10B | 120 BPM | ||
| Things We Leave Behind | Friend from Work | F♯ Major | 2 | 2B | 139 BPM | ||
| So Many Questions | David Boman | C Major | 8 | 8B | 129 BPM | ||
| I Am A Fraud | Christopher Nicholas Bangs | G Major | 3 | 9B | 142 BPM | ||
| Riverbank with Clouds | Alon Peretz | F♯ Major | 2 | 2B | 139 BPM | ||
| I will | Antonio Fernandes Lopes | F♯ Minor | 1 | 11A | 83 BPM | ||
| World Without End | Nick Box | A Major | 0 | 11B | 74 BPM | ||
| Purify | Elm Lake | E Major | 3 | 12B | 67 BPM | ||
| She Lost Hope | George Kallis | D Major | 2 | 10B | 71 BPM | ||
| A Life Well Lived | Tyler Strickland | F♯ Minor | 0 | 11A | 88 BPM | ||
| Garden Of Eden (F#) | GLORY ROOM | F♯ Major | 2 | 2B | 139 BPM |