Rubén Juárez's ' "Último Tango En Buenos Aires" was released on its scheduled release date, July 28, 2003. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 14 in El Album Blanco by Rubén Juárez. Going off of the ISRC code of this track, we detected that the origin of this track is from Argentina. In terms of popularity, Último Tango En Buenos Aires is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Último Tango En Buenos Aires by Rubén Juárez is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Youkali | Conjunto Berretin | D Minor | 3 | 7A | 113 BPM | ||
| Cafetin De Buenos Aires | Rubén Juárez | C Minor | 3 | 5A | 105 BPM | ||
| Misiones | Chango Spasiuk | C Minor | 2 | 5A | 109 BPM | ||
| Sentimiento Gaucho | Nina Miranda, Donato Racciatti y Su Orquesta Típica | A Major | 5 | 11B | 139 BPM | ||
| Ahora (el momento de amar) | Juan Villarreal, Patricio Noé Crom | A Major | 3 | 11B | 182 BPM | ||
| Lugano | Astillero | A♭ Major | 6 | 4B | 99 BPM | ||
| Ostinato | Carla Pugliese | D Minor | 8 | 7A | 160 BPM | ||
| Nada | Maria Graña, Valeria Lynch | A♭ Major | 2 | 4B | 63 BPM | ||
| Aparicion de Rosendo | Daniel Binelli, Jairo | A♭ Minor | 7 | 1A | 90 BPM | ||
| Este Es el Rey | La Juan D'Arienzo | F♯ Minor | 3 | 11A | 136 BPM | ||
| Yuyo Verde | Susana Rinaldi | A Major | 3 | 11B | 101 BPM | ||
| Toda Milonga | Amores Tangos | B Minor | 3 | 10A | 113 BPM | ||
| Cafe La Humedad | Rubén Juárez | G Minor | 4 | 6A | 105 BPM | ||
| Te Llaman Malevo | Rubén Juárez | C Major | 5 | 8B | 113 BPM | ||
| Remolino | Sexteto Mayor | G Major | 3 | 9B | 127 BPM | ||
| Tendrás un Altar | Hugo Díaz | B♭ Major | 3 | 6B | 112 BPM | ||
| Otoño porteño | Ventarrón | D Minor | 3 | 7A | 118 BPM | ||
| Desde el Alma | Conjunto Berretin | B Minor | 5 | 10A | 182 BPM | ||
| Tristeza (with Chango Spasiuk) | Quinteto Negro La Boca, Chango Spasiuk | D♭ Minor | 4 | 12A | 175 BPM | ||
| Soledad | Hugo Díaz | B♭ Minor | 3 | 3A | 97 BPM | ||
| Balvanera | Angel Pulice + Ruth de Vicenzo | F♯ Minor | 4 | 11A | 97 BPM | ||
| Danzarín | Raúl Lavié, Sexteto Mayor | G Major | 2 | 9B | 120 BPM | ||
| Anclao En Paris | Rubén Juárez | G Major | 4 | 9B | 110 BPM | ||
| De Mi Barrio | La Malí - Cerviño | G Minor | 3 | 6A | 68 BPM | ||
| Caserón De Tejas | Maria Graña | F Minor | 3 | 4A | 82 BPM |